Showing posts with label Book Adaptation. Show all posts
Showing posts with label Book Adaptation. Show all posts

Tuesday, January 9, 2024

#IReadsYou Review: JOHN CARTER OF MARS #1

JOHN CARTER OF MARS, VOL. 1 #1
DYNAMITE ENTERTAINMENT

STORY: Chuck Brown
ART: George Kambadais
COLORS: George Kambadais
LETTERS: Jeff Eckleberry
EDITOR: Nate Cosby
COVER: Junggeun Yoon
VARIANT COVER ARTISTS: Joseph Michael Linsner; Jonathan Case; George Kambadais; Marat Mychaels; Sebastian Piriz; Guillem March; Piper Rudich; Ryan Kincaid; Johnny Desjardins; Rachel Hollon and David Turner (cosplay)
32pp, Color, $3.99 U.S. (April 2022)

Rated Teen+

Based on the characters and stories created by Edgar Rice Burroughs


John Carter is a character that first appeared in the serialized novel, Under the Moons of Mars (The All-Story, 1912), written by Tarzan creator, Edgar Rice Burroughs.  When it was first collected and published in hardcover, the novel was re-titled, A Princess of Mars (1917), the first of Burroughs' “Barsoom” novels, which were set on Barsoom, a fictional version of Mars.

John Carter is a Confederate veteran of the American Civil War who is transported to Mars via “astral projection.”  There he gets a new body that is similar to the one he leaves behind on Earth.  John makes several trips back and forth between Earth (which the Martians call “Jasoom”) and Barsoom, and Dejah and John are married and have two children.

John Carter first appeared in comic books in the early 1950s and continues today as a comic book character via Dynamite Entertainment.  His latest comic book series is John Carter of Mars.  The series is written by Chuck Brown; drawn and colored by George Kambadais; and lettered by Jeff Eckleberry.  In the new series, a re-imagining of and a sequel to the original “Barsoom” novels, John Carter is back on Earth and discovers that Martians are being transported to Earth while humans are being transported to Mars.

John Carter of Mars #1 opens on Barsoom.  John Carter is enjoying his reward – domestic life with his wife, Dejah Thoris (the Princess of Mars), and their son.  Suddenly, for the first time in ages, he is whisked back to Earth, but he isn't the only one.  It is 1919, and Carter is back in his old mansion estate.  There, he finds himself in a fierce battle with Green Martians that have also been transported to Earth.  And they are determined to make trophies of his head and limbs.

Meanwhile, a young Black U.S. Army officer, Lt. Fred Hines, and his friend, Charlie, have arrived at the estate to investigate the disappearance of his wife, Thai, a Civil War historian who has studied John Carter's journals.  She is also one of the humans missing on Earth that may have been transported to Mars.  Fred and Charlie are shocked to find John Carter alive and fighting for his life, a fight they must now join.

THE LOWDOWN:  In July 2021, Dynamite Entertainment's marketing department began providing me with PDF review copies of some of their titles.  One of them is John Carter of Mars #1.  It is the first solo Dynamite John Carter comic book that I have read.

Simply put, writer Chuck Brown has created in John Carter of Mars #1 the kind of comic book that I could not stop reading.  What a blast!  It may be the freshest take on John Carter, if not ever, then, in a long time.  Brown simultaneously reinvents Burroughs influential series and also may well revitalize interest in it.  Brown has also created a comic book that can be enjoyed by many ages – from middle school to old school readers.

George Kambadais's art and coloring remind me of the work of Bruce Timm, and the graphical storytelling hops from one page to another like a lit fuse.  It has a classic comics feel with a sense of wonder and mystery.  My only complaint is that I wish I could see Kambadais' work for issue #2 now, so, of course, I am highly recommending John Carter of Mars.

I READS YOU RECOMMENDS:  Fans of Dynamite's Barsoom comic books will want to try John Carter of Mars.

[This comic book includes “Dynamite Dispatch,” which features an interview with writer Tom Sniegoski.]

A+
★★★★+ out of 4 stars

Buy the JOHN CARTER OF MARS trade paperback here at AMAZON.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/DynamiteComics
https://www.dynamite.com/htmlfiles/
https://www.facebook.com/DynamiteComics/
https://www.youtube.com/channel/UCNOH4PEsl8dyZ2Tj7XUlY7w
https://www.linkedin.com/company/dynamite-entertainment


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

---------------------

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).


Tuesday, December 26, 2023

#IReadsYou Review: JAMES BOND: Agent of SPECTRE #5

JAMES BOND: AGENT OF SPECTRE #5
DYNAMITE ENTERTAINMENT

STORY: Christos Gage
ART: Luca Casalanguida
COLORS: Heather Moore
LETTERS: Simon Bowland
EDITOR: Matt Idelson
COVER: Luca Casalanguida
VARIANT COVER ARTIST: Luca Casalanguida
32pp, Color, $3.99 U.S. (July 2021)

Rated T+

Based on the characters and stories created by Ian Fleming


“James Bond” is a fictional British Secret Service agent created by Ian Fleming, a British writer and novelist.  Fleming introduced James Bond in the 1953 novel, Casino Royale, and featured the character in 12 novels and two short-story collections.  Of course, most people know Bond because of Eon Productions' long-running James Bond-007 film series, which began with the 1962 film, Dr. No.

Over the past 50+ years, Bond has made sporadic appearances in comic books, but Dynamite Entertainment has been steadily publishing James Bond comic books since early 2016.  Their latest James Bond comic book is the five-issue miniseries, James Bond: Agent of SPECTRE.  It is written by Christos Gage; drawn by Luca Casalanguida; colored by Heather Moore; and lettered by Simon Bowland.   The series finds James Bond taking sides in a civil war within SPECTRE, the international criminal organization that has long been Bond's enemy.

Titania Jones, an upstart American member of SPECTRE, is attempting a coup, threatening to depose its longtime leader, the criminal mastermind, Ernst Stavro Blofeld.  Titania is on guard against Blofeld's men, so to take her out, Blofeld recruits a wild card, James Bond!  With Blofeld threatening the life of his friend, CIA operative, Felix Leiter, as leverage, Bond agrees.  However, Bond has a plan to use this internal strife to bring SPECTRE down once and for all.  Will he succeed, or is this a dark path from which even 007 cannot return?

James Bond: Agent of SPECTRE #5 opens on the Island of Meraki, Greece.  It is the location of the ancestral home of Blofeld, and it is the site of the final showdown between Blofeld, 007, and Titania Jones, the would-be new leader of SPECTRE.  This “SPECTRE Civil War” reaches its explosive conclusion, but who will come out on top, the established Blofeld or the upstart Titania?  And will 007 survive this struggle, and can he use it to bring SPECTRE down from within?

THE LOWDOWN:  The only Dynamite James Bond comic book series I have read is Warren Ellis' twelve-issue run, James Bond, Vol. 1 (2016-17), which is comprised of two story arcs, “Vargr” and “Eidolon.”  Dynamite Entertainment's marketing department recently began providing me with PDF review copies of some of their titles.  One of the first batch is the fifth and final issue of James Bond: Agent of SPECTRE.

James Bond: Agent of SPECTRE #5 is the first issue of the series that I have read.  I used the Diamond Comic Distributors' “Previews” listings to get the lowdown on the previous four issues of the series.  I figured out enough about the story line to say that writer Christos Gage has brought James Bond: Agent of SPECTRE #5 to a satisfying conclusion.  Gage also sets up some interesting threads for future James Bond comic books.

The art team of Luca Casalanguida and colorist Heather Moore are good, but Casalanguida's compositions are a little too impressionistic for this story.  I do like Casalanguida's interpretation of James Bond as a burly, brawny, meaty man who can throw his fists around.  Moore's coloring tends towards the garish a few times.  Simon Bowland's solid lettering keeps the art and graphical storytelling from being too off the wall.

I can say that James Bond: Agent of SPECTRE #5 suggests to me that this series might make for a fun read as a trade paperback.

I READS YOU RECOMMENDS:  Fans of James Bond comic books will want to try James Bond: Agent of SPECTRE.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/DynamiteComics
https://www.dynamite.com/htmlfiles/
https://www.facebook.com/DynamiteComics/
https://www.youtube.com/channel/UCNOH4PEsl8dyZ2Tj7XUlY7w
https://www.linkedin.com/company/dynamite-entertainment


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

------------------------------

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).


Tuesday, December 12, 2023

#IReadsYou Review: JAMES BOND: Himeros #2

JAMES BOND: HIMEROS #2
DYNAMITE ENTERTAINMENT

STORY: Rodney Barnes
ART: Antonio Ruso
COLORS: Adriano Augusto
LETTERS: Social Myth Studios
EDITOR: Joe Rybandt
COVER: Francesco Francavilla
VARIANT COVER ARTISTS: Butch Guice; Francesco Francavilla;
32pp, Color, $3.99 U.S. (November 2021)

Rated T+

Based on the characters and stories created by Ian Fleming


“James Bond” is a fictional British Secret Service agent created by Ian Fleming, a British writer and novelist.  Fleming introduced James Bond in the 1953 novel, Casino Royale, and featured the character in 12 novels and two short-story collections.  Of course, most people know Bond because of Eon Productions' long-running James Bond-007 film series, which began with the 1962 film, Dr. No.

Over the past 50+ years, Bond has made sporadic appearances in comic books, but Dynamite Entertainment has been steadily publishing James Bond comic books since early 2016.  Their latest James Bond comic book is James Bond: Himeros.  It is written by Rodney Barnes; drawn by Antonio Ruso; colored by Adriano Augusto; and lettered by Social Myth Studios.  In Himeros, 007 finds himself caught in a web of powerful people who will kill to keep their child sex trafficking secrets from coming to light.

James Bond: Himeros #2 opens on Wilhelm's Island in the South Pacific Ocean.  After billionaire financier and notorious sex trafficker, Richard Wilhelm, was killed in Her Majesty's Prison Belmarsh, London, it didn't mean that all his secrets died with him.  There is Wilhelm's right hand man, Sarah Richmond, and arms dealer, Anton Bates, who enjoyed the sex services Wilhelm provided, wants Richmond dead.  Enter MI6 agent, James Bond, ordered by his boss, M, to protect Richmond.

Wilhelm's Island proves to be a place of traps, and back in Florida Bond is wondering if he knows who activated those traps.  Meanwhile, someone comes calling for Richmond.

THE LOWDOWN:  Dynamite Entertainment's marketing department recently began providing me with PDF review copies of some of their titles.  One of them is James Bond: Himeros #2, which is one of several Dynamite James Bond comic books I've read.

As I have written many times previously, I am a huge fan of Himeros' writer, Rodney Barnes, because of his supreme vampire comic book, Killadelphia; his tragically canceled Marvel Comics series, Falcon; and his young Lando Calrissian comic book, Star Wars: Lando.  He recently dropped Nita Hawes' Nightmare Blog, from Image Comics, which has huge upside, judging by the first issue.  Barnes keeps me in his harem of readers with some lovely action in Himeros #2, especially because he includes a classic 007 element of thrills.

Antonio Ruso's art and storytelling come at the readers like lightning-quick punches, capturing all the surprising kinetic action.  Adriano Augusto's colors capture the exotic settings and moods of traditional James Bond fiction, but this time, he also offers the hues of fast and furious.  “Himeros” is the Greek god of sexual desire, and after reading James Bond: Himeros #2,  dear readers, I think you will desire this series also.

I READS YOU RECOMMENDS:  Fans of James Bond comic books will want to try James Bond: Himeros.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/DynamiteComics
https://www.dynamite.com/htmlfiles/
https://www.facebook.com/DynamiteComics/
https://www.youtube.com/channel/UCNOH4PEsl8dyZ2Tj7XUlY7w
https://www.linkedin.com/company/dynamite-entertainment


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

------------------------

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).


Tuesday, September 26, 2023

#IReadsYou Review: DEJAH THORIS VERSUS JOHN CARTER #5

DEJAH THORIS VERSUS JOHN CARTER, VOL. 1 #5
DYNAMITE ENTERTAINMENT

STORY: Dan Abnett
ART: Alessandro Miracolo
COLORS: Dearbhla Kelly
LETTERS: Simon Bowland
EDITOR: Nate Cosby
COVER: Lucio Parrillo
VARIANT COVER ARTISTS: Joseph Michael Linsner; Alessandro Miracolo; Max Fiumara; Sebastian Fiumara; (Rachel Hollon cosplay)
32pp, Color, $3.99 U.S. (November 2021)

Rated Teen+

Based on the characters and stories created by Edgar Rice Burroughs


Dejah Thoris and John Carter are characters that first appeared in the serialized novel, Under the Moons of Mars (The All-Story, 1912), written by Tarzan creator, Edgar Rice Burroughs.  When it was first collected and published in hardcover, the novel was re-titled, A Princess of Mars (1917), the first of Burroughs' “Barsoom” novels, which were set on Barsoom, a fictional version of Mars.

Dejah was the title character of A Princess of Mars, the princess of the Martian city-state/empire of Helium.  John Carter was a Confederate veteran of the American Civil War who was transported to Mars via “astral projection” where he got a new body that was similar to the one he left behind on Earth.  John made several trips back and forth between Earth and Barsoom, and Dejah and John were married and had two children.

John Carter first appeared in comic books in the early 1950s, and Dejah has become a prominent comic book character since 2010 via Dynamite Entertainment.  Now, the star-crossed lovers are the stars of Dynamite's new comic book, Dejah Thoris Versus John Carter.  The series is written by Dan Abnett; drawn by Alessandro Miracolo; colored by Dearbhla Kelly; and lettered by Simon Bowland.  The series finds Dejah and John caught in a war to save Mars from an ancient race, “The Longborn,” that has returned to reclaim the planet, and their surprising ally, the rogue scientist, Rotak Gall.

As Dejah Thoris Versus John Carter #5 opens, Rotak Gall finds out that his allies from outside of time, The Longborn, are not easy to please.  Meanwhile, Dejah and John continue to fight impossible odds in the time-lost palace of Dar Shadeth.  Having escaped into the random folds of time, they must survive … if they are going to survive the coming struggle.  Decaying emissaries of evil are searching for the perfect host, which could be … John Carter.

THE LOWDOWN:  Dynamite Entertainment's marketing department recently began providing me with PDF review copies of some of their titles.  One of them is Dejah Thoris Versus John Carter #5, the fifth issue of the series that I have read and only the fifth Dejah Thoris or John Carter comic book I have read.

In Dejah Thoris Versus John Carter, writer Dan Abnett offers a comic book that gives off traditional serial fiction thrills.  A quick and delightful read, I always find myself wanting more by the time I reach the last page.  Also, Artist Alessandro Miracolo and colorist Dearbhla Kelly get stronger with each issue.  I highly recommend Dejah Thoris Versus John Carter to fans of Dan Abnett's comic book work.

I READS YOU RECOMMENDS:  Fans of Dynamite's Dejah Thoris and Barsoom comic books will want to try Dejah Thoris Versus John Carter.

B+
★★★½ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/DynamiteComics
https://www.dynamite.com/htmlfiles/
https://www.facebook.com/DynamiteComics/
https://www.youtube.com/channel/UCNOH4PEsl8dyZ2Tj7XUlY7w
https://www.linkedin.com/company/dynamite-entertainment


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

------------

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).


Tuesday, August 29, 2023

#IReadsYou Review: JAMES BOND: Himeros #1

JAMES BOND: HIMEROS #1
DYNAMITE ENTERTAINMENT

STORY: Rodney Barnes
ART: Antonio Ruso
COLORS: Adriano Augusto
LETTERS: Social Myth Studios
EDITOR: Joe Rybandt
COVER: Francesco Francavilla
VARIANT COVER ARTISTS: Butch Guice; Francesco Francavilla;
32pp, Color, $3.99 U.S. (October 2021)

Rated T+

Based on the characters and stories created by Ian Fleming


“James Bond” is a fictional British Secret Service agent created by Ian Fleming, a British writer and novelist.  Fleming introduced James Bond in the 1953 novel, Casino Royale, and featured the character in 12 novels and two short-story collections.  Of course, most people know Bond because of Eon Productions' long-running James Bond-007 film series, which began with the 1962 film, Dr. No.

Over the past 50+ years, Bond has made sporadic appearances in comic books, but Dynamite Entertainment has been steadily publishing James Bond comic books since early 2016.  Their latest James Bond comic book is James Bond: Himeros.  It is written by Rodney Barnes; drawn by Antonio Ruso; colored by Adriano Augusto; and lettered by Social Myth Studios.  In Himeros, 007 finds himself caught in a web of powerful people who will kill to keep their child sex trafficking secrets from coming to light.

James Bond: Himeros #1 opens in Her Majesty's Prison Belmarsh, LondonRichard Wilhelm is imprisoned there.  He is the billionaire financier infamous for trafficking underage children from various parts of the world to his secret island in the South Pacific.  Before long, he is dead, and while he was murdered, the public is told that he died by suicide.

At MI6, M has called Agent James Bond to find Wilhelm's right hand man, Sarah Richmond, and bring her to London before the people that killed her boss kill her.  However, Anton Bates, the man who ordered Wilhelm killed, is well-connected to very powerful people, and he hires the best killers...

THE LOWDOWN:  Dynamite Entertainment's marketing department recently began providing me with PDF review copies of some of their titles.  One of them is James Bond: Himeros #1, which is one of several Dynamite James Bond comic books I've read.

I am a huge fan of Himeros' writer, Rodney Barnes, because of his supreme vampire comic book, Killadelphia; his tragically canceled Marvel Comics series, Falcon; and his young Lando Calrissian comic book, Star Wars: Lando.  Barnes is very good at creating comic book stories in which the characters face tremendous consequences and have a lot to lose.  Barnes' narratives are also fueled a sense of dread and of menace.

Antonio Ruso's art and storytelling comes at the readers like lightning-quick punches, and Adriano Augusto colors capture the exotic settings and moods of traditional James Bond fiction.  “Himeros” is the Greek god of sexual desire, and after reading James Bond: Himeros #1, you will desire it, dear readers, and desire more.

I READS YOU RECOMMENDS:  Fans of James Bond comic books will want to try James Bond: Himeros.

A
★★★★ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/DynamiteComics
https://www.dynamite.com/htmlfiles/
https://www.facebook.com/DynamiteComics/
https://www.youtube.com/channel/UCNOH4PEsl8dyZ2Tj7XUlY7w
https://www.linkedin.com/company/dynamite-entertainment


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

----------------------

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).


Tuesday, February 21, 2023

#IReadsYou Review: DEJAH THORIS VERSUS JOHN CARTER #3

DEJAH THORIS VERSUS JOHN CARTER, VOL. 1 #3
DYNAMITE ENTERTAINMENT

STORY: Dan Abnett
ART: Alessandro Miracolo
COLORS: Dearbhla Kelly
LETTERS: Simon Bowland
EDITOR: Nate Cosby
COVER: Lucio Parrillo
VARIANT COVER ARTISTS: Joseph Michael Linsner; Alessandro Miracolo; Sebastian Fiumara; (Rachel Hollon cosplay)
32pp, Color, $3.99 U.S. (September 2021)

Rated Teen+

Based on the characters and stories created by Edgar Rice Burroughs


Dejah Thoris and John Carter are characters that first appeared in the serialized novel, Under the Moons of Mars (The All-Story, 1912), written by Tarzan creator, Edgar Rice Burroughs.  When it was first collected and published in hardcover, the novel was re-titled, A Princess of Mars (1917), the first of Burroughs' “Barsoom” novels, which were set on Barsoom, a fictional version of Mars.

Dejah was the title character of A Princess of Mars, the princess of the Martian city-state/empire of Helium.  John Carter was a Confederate veteran of the American Civil War who was transported to Mars via “astral projection” where he got a new body that was similar to the one he left behind on Earth.  John made several trips back and forth between Earth and Barsoom, and Dejah and John were married and had two children.

John Carter first appeared in comic books in the early 1950s, and Dejah has become a prominent comic book character since 2010 via Dynamite Entertainment.  Now, the star-crossed lovers are the stars of Dynamite's new comic book, Dejah Thoris Versus John Carter.  The series is written by Dan Abnett; drawn by Alessandro Miracolo; colored by Dearbhla Kelly; and lettered by Simon Bowland.  The series finds Dejah and John caught in a war to save Mars from an ancient race, “The Longborn,” that has returned to reclaim the planet, and their surprising ally, the rogue scientist, Rotak Gall.

As Dejah Thoris Versus John Carter #3 opens, Dejah Thoris, Queen of Helium, is a prisoner of Rotak Gall in Dar Shadeth, a ruined palace from ancient days that is also far from civilization.  However, where she is in Dar Shadeth is “outside of the present” because of Gall's use of “arcanotech.”  Dejah will learn that “The Longborn” have new plans for her, and Gall is activating those plans.

Meanwhile, John Carter fights through Gall's “Black Pirate Synthetics,” hacking and slashing to find Dejah so that he can rescue her.  But what is John's part in Gall and The Longborn's plans?

THE LOWDOWN:  Dynamite Entertainment's marketing department recently began providing me with PDF review copies of some of their titles.  One of them is Dejah Thoris Versus John Carter #3, the third issue of the series that I have read and only the third Dejah Thoris or John Carter comic book I have read.

I found the first two issues of Dejah Thoris Versus John Carter to be likable, although I thought the second issue was stronger.  I enjoyed this third issue so much that I wish I could read more of the series right this very moment.  The art by Alessandro Miracolo still reminds me of the kind of art that readers would find in a Flash Gordon comic book, and that is appropriate.  Miracolo's art and Dearbhla Kelly colors sell the idea that this story takes place on a faraway world full of action, adventure, aliens, monster, hybrids, and ancient gods.  This is pure, lovable primordial science fiction and fantasy.

Writer Dan Abnett, a veteran comic book scribe, kicks the story into the next gear once again.  With each issue, Abnett raises the stakes, and this third issue offers a shocking and frightening vision of the immediate future for Dejah and John.  Dejah Thoris Versus John Carter is a thoroughly enjoyable read, and this third issue suggests that the fourth might be even more exciting.

I highly recommend Dejah Thoris Versus John Carter to fans of Dan Abnett's comic book work.

I READS YOU RECOMMENDS:  Fans of Dynamite's Dejah Thoris and Barsoom comic books will want to try Dejah Thoris Versus John Carter.

A-

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/DynamiteComics
https://www.dynamite.com/htmlfiles/
https://www.facebook.com/DynamiteComics/
https://www.youtube.com/channel/UCNOH4PEsl8dyZ2Tj7XUlY7w
https://www.linkedin.com/company/dynamite-entertainment


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

--------------------

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).


Friday, November 18, 2022

#IReadsYou Review: DEJAH THORIS VERSUS JOHN CARTER #2

DEJAH THORIS VERSUS JOHN CARTER, VOL. 1 #2
DYNAMITE ENTERTAINMENT

STORY: Dan Abnett
ART: Alessandro Miracolo
COLORS: Dearbhla Kelly
LETTERS: Simon Bowland
EDITOR: Nate Cosby
COVER: Lucio Parrillo
VARIANT COVER ARTISTS: Joseph Michael Linsner; Alessandro Miracolo; Sebastian Fiumara; (Rachel Hollon cosplay)
32pp, Color, $3.99 U.S. (August 2021)

Rated Teen+

Based on the characters and stories created by Edgar Rice Burroughs

Dejah Thoris and John Carter are characters that first appeared in the serialized novel, Under the Moons of Mars (The All-Story, 1912), written by Tarzan creator, Edgar Rice Burroughs.  When it was first collected and published in hardcover, the novel was re-titled, A Princess of Mars (1917), the first of Burroughs' “Barsoom” novels, which were set on Barsoom, a fictional version of Mars.

Dejah was the title character of A Princess of Mars, the princess of the Martian city-state/empire of Helium.  John Carter was a Confederate veteran of the American Civil War who was transported to Mars via “astral projection” where he got a new body that was similar to the one he left behind on Earth.  John made several trips back and forth between Earth and Barsoom, and Dejah and John were married and had two children.

John Carter first appeared in comic books in the early 1950s, and Dejah has become a prominent comic book character since 2010 via Dynamite Entertainment.  Now, the star-crossed lovers are the stars of Dynamite's new comic book, Dejah Thoris Versus John Carter.  The series is written by Dan Abnett; drawn by Alessandro Miracolo; colored by Dearbhla Kelly; and lettered by Simon Bowland.  The series finds Dejah and John caught in a war to save Mars from an ancient race, “The Longborn,” that has returned to reclaim Mars.

As Dejah Thoris Versus John Carter #2 opens, Dejah Thoris, Queen of Helium, and her forces, the “Helium Warhost,” have traveled far into the distant west to Dar Shadeth.  There, she hoped to confront the rogue scientist, Rotak Gall, who had allied against her with her now-dead rival, the tyrant Kurz Kurtos.  Rotak claims he wants to explain his actions and to make amends.

Dejah takes a calculated risk and trusts him, believing that Rotak could aid in defending against the dreaded Longborn.  She did not expect “the Black Pirates” and Rotak's scheming.  And where is her former hero, John Carter?

THE LOWDOWN:  Dynamite Entertainment's marketing department recently began providing me with PDF review copies of some of their titles.  One of them is Dejah Thoris Versus John Carter #2, the second issue of the series that I have read.

I found the first issue of Dejah Thoris Versus John Carter #1 to be likable, and I like this second issue even more.  The art by Alessandro Miracolo still reminds me of the kind of art that readers would find in a Flash Gordon comic book.  Miracolo's art and Dearbhla Kelly colors create the idea that the story takes place on a different planet simply by making the atmosphere and lighting look like they are part of an alien biosphere.

Writer Dan Abnett, a veteran comic book scribe, kicks the story into the next gear simply by placing Dejah in Rotak's clutches.  Now, everything is on the line for the main characters, and Abnett amps up the anticipation for the next issue by using John Carter as a wild card.  This second issue is more action oriented than the first issue.  I have to say that I am enjoying Dejah Thoris Versus John Carter more than I thought I would, so I am recommending to fans of the franchise.

I READS YOU RECOMMENDS:  Fans of Dynamite's Dejah Thoris and Barsoom comic books will want to try Dejah Thoris Versus John Carter.

B+
★★★½ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/DynamiteComics
https://www.dynamite.com/htmlfiles/
https://www.facebook.com/DynamiteComics/
https://www.youtube.com/channel/UCNOH4PEsl8dyZ2Tj7XUlY7w
https://www.linkedin.com/company/dynamite-entertainment


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

---------------------------

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).


Tuesday, September 20, 2022

#IReadsYou Review: DEJAH THORIS VERSUS JOHN CARTER #1

DEJAH THORIS VERSUS JOHN CARTER, VOL. 1 #1
DYNAMITE ENTERTAINMENT

STORY: Dan Abnett
ART: Alessandro Miracolo
COLORS: Dearbhla Kelly
LETTERS: Simon Bowland
EDITOR: Nate Cosby
COVER: Lucio Parrillo
VARIANT COVER ARTISTS: Joseph Michael Linsner; Alessandro Miracolo; Sebastian Fiumara; (Rachel Hollon cosplay)
32pp, Color, $3.99 U.S. (July 2021)

Rated Teen+

Based on the characters and stories created by Edgar Rice Burroughs


Dejah Thoris and John Carter are characters that first appeared in the serialized novel, Under the Moons of Mars (The All-Story, 1912), written by Tarzan creator, Edgar Rice Burroughs.  When it was first collected and published in hardcover, the novel was re-titled, A Princess of Mars (1917), the first of Burroughs' “Barsoom” novels, which were set on Barsoom, a fictional version of Mars.

Dejah was the title character of A Princess of Mars, the princess of the Martian city-state/empire of Helium.  John Carter was a Confederate veteran of the American Civil War who was transported to Mars via “astral projection” where he got a new body that was similar to the one he left behind on Earth.  John makes several trips back and forth between Earth and Barsoom, and Dejah and John were married and had two children.

John Carter first appeared in comic books in the early 1950s, and Dejah has been a prominent comic book character beginning in 2010 via Dynamite Entertainment.  Now, the star-crossed lovers are the stars of Dynamite's new comic book, Dejah Thoris Versus John Carter.  The series is written by Dan Abnett; drawn by Alessandro Miracolo; colored by Dearbhla Kelly; and lettered by Simon Bowland.  The series finds Dejah and John caught in a war to save Mars from an ancient race that has returned to reclaim Mars.

As Dejah Thoris Versus John Carter #1 opens, Dejah Thoris reigns as Queen of Helium, after overturning the regime of the tyrant, Kurz Kurtos.  Now, she must deal with his ally, the rogue scientist, Rotak Gall.  Dejah and her forces travel to Dar Shadeth, far in the distant west.  However, before she faces Gall, she must face the beasts of “The Longborn,” the ancient and mysterious race of immortal gods that have arrived to reclaim Barsoom/Mars.

Meanwhile, John Carter worries about the status of his relationship with Dejah, after having betrayed her during her war with Kurtos.  John was in the thrall of the Witch-Queen, and he believes that means he is a liability.  Will Baroom's (former) greatest champion remain or return to Earth?

THE LOWDOWN:  Dynamite Entertainment's marketing department recently began providing me with PDF review copies of some of their titles.  One of them is Dejah Thoris Versus John Carter #1.  I must admit that other than being aware of Edgar Rice Burrough's “Martian Series” or “Barsoom series,” my only substantial experience with these stories is the 2012 Disney film, John Carter.

I find Dejah Thoris Versus John Carter #1 likable, and the art by Alessandro Miracolo reminds me of the kind of art that readers would find in a Flash Gordon comic book.  Through her colors, Dearbhla Kelly creates the idea that the story takes place on a different planet simply by making the atmosphere and lighting look like they are part of an alien biosphere.  Simon Bowland's lettering catches the eccentric and shifting nature of the dialogue and calmly presents it to readers.

Writer Dan Abnett, a veteran comic book scribe, delivers a script filled with modern comic book storytelling elements and plot points.  There is a mission, Dejah's, that builds on mystery before delivering a cliffhanger.  Meanwhile, there is the appropriate soap opera drama focusing on John Carter's shame and self-doubt.  Abnett also makes me want to come back for the second issue, so I'll recommend Dejah Thoris Versus John Carter #1.  The series does have potential.

I READS YOU RECOMMENDS:  Fans of Dynamite's Dejah Thoris and Barsoom comic books will want to try Dejah Thoris Versus John Carter.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/DynamiteComics
https://www.dynamite.com/htmlfiles/
https://www.facebook.com/DynamiteComics/
https://www.youtube.com/channel/UCNOH4PEsl8dyZ2Tj7XUlY7w
https://www.linkedin.com/company/dynamite-entertainment


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Wednesday, November 17, 2021

#IReadsYou Review: ExtraOrdinary #0

EXTRAORDINARY #0
TITAN COMICS

STORY: V.E. Schwab
ART: Enid Balám
COLORS: Jordi Escuin Llorach
LETTERS: Rob Steen
EDITOR: David Leach
14pp, Color $1.00 U.S. (May 2021)

Rating: Teen

ExtraOrdinary is a new comic book series that expands upon the world of author V.E. Schwab's two novels, Vicious (2013) and Vengeful (2018), also known as the “Villains series.”  Published by Titan Comics, ExtraOrdinary is set in the years between Vicious and Vengeful.  Titan is launching ExtraOrdinary with a specially priced ($1) Issue #0.  ExtraOrdinary is written by Schwab; drawn by Enid Balá; colored by Jordi Escuin Llorach; and lettered by Rob Steen.

ExtraOrdinary #0 welcomes readers to the world of the EO – the “ExtraOrdinary” this way:

Extraordinary, or EO: a person who has survived a near-death experience and returned with superpowers. These powers are the product not only of how the person nearly died, but their final thoughts at the moment of death. Incredibly rare, and potentially dangerous to themselves and others, few people know about the existence of ExtraOrdinaries, and an organization called EON is determined to keep it that way.

ExtraOrdinary #0 introduces Charlotte Tills, a teenage girl who thinks about death a lot.  After she miraculously survives a school bus crash, Charlotte becomes EO-ExtraOrdinary.  Now, what she sees in reflective surfaces frightens her … almost to death.

THE LOWDOWN:  Prior to receiving the review PDF of ExtraOrdinary #0, I had never heard of V.E. Schwab or any of her novels, but after reading ExtraOrdinary #0, I am ready to read the new comic book series from Titan.  If time permits, I also plan on reading both “Villains” novels, as the premises of the novels are quite intriguing.

In fact, from what I can understand of them, the plots and characters of these novels certainly could be the plots and characters of a comic book series.  The 14 pages of comics/graphical storytelling that Schwab presents here are engaging and quickly brings the readers into the world of ExtraOrdinary.  So this is an honest-to-goodness comic book and doesn't come across as a media tie-in of some sort.

The art team of Enid Balám and colorist Jordi Escuin Llorach presents straight-forward storytelling.  The compositions have a passing resemblance to the work of superstar comic book artist, Andy Kubert, but here, the art is less about style and more about conveying a story, which it does rather well.

I hope ExtraOrdinary #0 isn't a fluke.  I'm looking forward to reading this series, and I recommend that readers give at least this #0 issue a try, especially as it only costs a buck.

I READS YOU RECOMMENDS:  Fans of V.E. Schwab's “Villains” novels and of YA comics will want to try ExtraOrdinary.

A-
7.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"



https://titan-comics.com/
https://twitter.com/ComicsTitan
https://www.instagram.com/titancomics/
https://www.facebook.com/ComicsTitan
http://www.veschwab.com/
https://twitter.com/veschwab
https://www.facebook.com/people/Victoria-VE-Schwab/100044092343403/


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Thursday, June 25, 2020

#IReadsYou Review: STAR WARS: The Legends of Luke Skywalker #1

STAR WARS: THE LEGENDS OF LUKE SKYWALKER: THE MANGA, VOL. 1
VIZ MEDIA – @VIZMedia

[This review was originally posted on Patreon. And visit the "Star Wars Central" review page here.]

MANGAKA: Akira Fukaya and Tikashi Kisaki; Haruichi; Subaru; Akira Himekawa
ORIGINAL NOVEL: Ken Liu
TRANSLATION: Satsuki Yamashita
EDITOR: Fawn Lau
COVER: Akira Himekawa
ISBN: 978-1-9747-1584-8; paperback; 5 3/4 × 8 1/4 – trim size (January 2020); Rated “T+” for “Older Teen”
212pp, B&W, $14.99 U.S., $19.99 CAN

The Star Wars media and merchandising franchise has been hugely popular over the time since the debut of the original film, Star Wars, some 43 years ago in 1977.  Some of that popularity is the reason that there has been, except for a few years, at least one comic book publisher producing Star Wars comic books since 1977.

One of the latest is Star Wars: The Legends of Luke Skywalker: The Manga.  This is a single-volume graphic novel containing four manga short stories set in the Star Wars universe.  The Legends of Luke Skywalker: The Manga  focuses on four characters who have encounters with the elusive Jedi Luke Skywalker.  The stories is this book are adapted by Japanese manga artists:  Akira Himekawa, Haruichi, Subaru, and the writer-artist team of Akira Fukaya and Takashi Kisaki from The Legends of Luke Skywalker.  This is the 2017 young adult novel by award-winning author Ken Liu's that is also part of the Journey to Star Wars: The Last Jedi book series.

The writer-artist team of Akira Fukaya and Takashi Kisaki starts the volume off with “The Starship Graveyard.”  The story stars a young gunner aboard a Imperial Star Destroyer who finds himself face to face with a mysterious rescuer who may or may not be the legendary enemy of the Galactic Empire, Luke Skywalker.  Haruichi's story is “I, Droid,” in which a newly enslaved construction droid finds himself in the company of an unusual pair of droids that seem to know one another.  They may also have a connection to someone who might save them all, Luke Skywalker.

In “The Tale of Lugubrious Mote,” Sabaru chronicles the adventures of a “mole-flea of Kowak” and how he helped Princess Leia and Luke Skywalker during a legendary moment in Star Wars history.  Finally, the manga-ka duo, Akira Himekawa (The Legend of Zelda: Twilight Princess), take readers into the “Big Inside” of an “exogorth” [The “giant space slug” in The Empire Strikes Back is an exogorth.]  In the story, a young biology student and Luke Skywalker must escape from inside a creature from which few beings escape.  Along the way, the duo will discover the “Master Weavers” of “the Luminous Mist.”

THE LOWDOWN:  I have been looking forward to reading Star Wars: The Legends of Luke Skywalker: The Manga since I first heard of it a few months ago.  I have not read Ken Liu's original novel, and I don't plan to.  I have nothing against Liu, and I am not at all familiar with his work.  I simply have not read any Star Wars novels that have been published since The Walt Disney Company revamped the Star Wars line of novels to make every one of them fit in “Star Wars canon.”

The Star Wars: The Legends of Luke Skywalker: The Manga graphic novel is a good read.  The stories are not great, but Liu managed to create a version of Luke Skywalker that feels authentically fearsome, legendary, mysterious, and unknown.  That is no small feat as, obviously, Luke Skywalker is so familiar to fans of Star Wars.  In fact, Luke Skywalker has been my favorite Star Wars character ever since I first encountered him over four decades ago.

The art in “The Starship Graveyard” is rough, even ugly at times, but the story is fun to read.  The heroic arc of the young Imperial gunner is quite captivating.  “I, Droid” is okay, but I can see fans of Star Wars droids really getting into it, although it doesn't do much for me.  “The Tale of Lugubrious Mote” is a fun, throwaway, and ultimately nonsensical spin and take on the part of the film, Return of the Jedi (1983), that deals with Jabba the Hutt.  I would describe it as a young readers' Star Wars “Legends” or non-canon story rather than as a young adult tale.

By far the best story in Star Wars: The Legends of Luke Skywalker: The Manga is Akira Himekawa's “Big Inside.”  It reads like one of those weird stories that Marvel Comics published in its Star Wars comic book series from the 1970s and 80s.  The art is beautiful, of course, because Himekawa always delivers beautifully, drawn, lyrical art that conveys a sense of history, magic, mystery, and romantic adventure.  “Big Inside” has all that and also feels like a non-canon Star Wars story because of its mystical take on “the Force.”

Honestly, I would not recommend this Star Wars manga to all fans of Star Wars comic books, unless I knew what kind of Star Wars comic books they liked.  I would, however, recommend Star Wars: The Legends of Luke Skywalker: The Manga to any readers always on the lookout for Star Wars manga.

I READS YOU RECOMMENDS:  Fans of Star Wars manga and fans of Luke Skywalker will want to try Star Wars: The Legends of Luke Skywalker: The Manga.

6 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and  syndication rights and fees.



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Tuesday, June 9, 2020

#IReadsYou Review: AMERICAN GODS: The Moment of the Storm #1

AMERICAN GODS: THE MOMENT OF THE STORM No. 1
DARK HORSE COMICS – @DarkHorseComics

[This review was originally posted on Patreon.]

STORY: Neil Gaiman
SCRIPT: P. Craig Russell
LAYOUTS: P. Craig Russell
ART: Scott Hampton
COLORS: Scott Hampton and Jennifer T. Lange
LETTERS: Rick Parker
EDITOR: Daniel Chabon
COVER: Glenn Fabry with Adam Brown
VARIANT COVER: David Mack
28pp, Color, $3.99 U.S. (April 2019)

American Gods is a fantasy novel first published in 2001 and written by Neil Gaiman.  The novel won several fantasy-literary awards and has been developed into the current hit television series for the cable network, Starz Media.  American Gods blends Americana and also ancient and modern mythology to tell the story of a man caught in a war between the gods of the Old World and the new American gods.

American Gods is currently being adapted as a comic book series by frequent Gaiman collaborator, P. Craig Russell, and publisher, Dark Horse Comics.  Russell is the guiding hand behind the American Gods comic book adaptation.  Russell writes the script adaptation of Gaiman's novel and provides the layouts for the artist.  American Gods the comic book is drawn and colored by Scott Hampton and lettered by Rick Parker.

This comic book adaptation will yield 27 issues over three nine-issue series (or story arcs).  American Gods, the first series, ended late in 2017.  The second series, American Gods: My Ainsel, concluded at the end of 2018.  The final series is American Gods: The Moment of the Storm.

American Gods: The Moment of the Storm #1 opens in Minneapolis.  There, Shadow Moon, Czernobog, and Mr. Nancy meet Alviss, a dwarf, who provides them with a new mode of transportation.  The trio heads for “the Center” of the United States, near Lebanon, Kansas.  There, they will meet the people who killed Mr. Wednesday, and who now want to surrender his corpse.  The battle's just begun.

In my previous reviews of the American Gods comic book series, I have informed you, dear reader, that I am a big fan of American Gods the novel, although I did not read it upon its original release in 2001.  I read the American Gods:  Tenth Anniversary Edition (June 2011, William Morrow) which features a longer text and is the author, Neil Gaiman's preferred edition.  I also feel that I must admit that I loved that book, and that “love” is not a strong enough word in this case.  American Gods: The Tenth Anniversary Edition is one of my favorite books, and I consider the reading of that edition of American Gods to be a life-changing event for me in terms of my life as a writer.

P. Craig Russell continues his excellent work, capturing both the details and spirit of American God's narrative through balance, knowing what text to retain and what to translate into illustrations.  He makes Shadow Moon really stand out and evolve.  He makes American Gods: The Moment of the Storm #1 as much a joy to read as the opening issues of the previous series.

Scott Hampton drawings and colors are more eccentric and ethereal than ever, but also quite solid in storytelling.  Still, Hampton infuses his art and storytelling with a sense of magic.  Letterer Rick Parker  hums along, capturing the magic with his stylish fonts and with the deftness in where he places exposition and word balloons.

As before, I implore you, dear readers, to set aside your four dollars each month so that you can buy this lovely comic book.  I still think that American Gods may end up being on the short list of great comic book adaptations of a prose novel.

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.


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Sunday, December 22, 2019

#IReadsYou Review: BUBBA HO-TEP and the Cosmic Bloodsuckers #5

BUBBA HO-TEP AND THE COSMIC BLOODSUCKERS No. 5
IDW PUBLISHING – @IDWPublishing

[This review was originally posted on Patreon.]

STORY: Joshua Jabcuga (based on the novel by Joe R. Lansdale) – @jabcuga @joelansdale
ART: Horacio Domingues
COLORS: Ryan Hill
LETTERS: Tom B. Long
EDITOR: Chase Marotz
COVER: Baldemar Rivas
VARIANT COVER ARTISTS: Horacio Domingues with Ryan Hill; Baldemar Rivas
28pp, Color, $3.99 U.S. (July 2018 / in shops January 9, 2019)

Joe R. Lansdale's 2017 novel, Bubba Ho-Tep and the Cosmic Bloodsuckers, initially received some kind of limited release. The novel is a prequel to Lansdale's 1994 novella, “Bubba Ho-Tep,” which filmmaker Don Coscarelli (Phantasm) adapted into a beloved, comic horror film of the same name that was released in 2002.  The novel is receiving a wider release in February 2019.

In the meantime, dear readers, you can enjoy the comic book, Bubba Ho-Tep and the Cosmic Bloodsuckers.  This 2018 comic book adaptation is written Joshua Jabcuga; drawn by Tadd Galusha; colored by Ryan Hill; and lettered by Tom B. Long, with covers drawn by Baldemar Rivas.  The comic book follows a fictional version of legendary rock 'n' roll singer and performer, and American icon, Elvis Presley.  The King of Rock 'n' Roll works for a secret government organization (which might by named the “Hidden Agenda”).  Elvis' manager, “The Colonel” (based on the real-world Presley's manager, Colonel Tom Parker), is his handler, as Presley and a team of operatives fight supernatural enemies that threaten the world.

Bubba Ho-Tep and the Cosmic Bloodsuckers #5 is the final issue of the adaptation, and Horacio Domingues replaces Todd Galusha as artist for this final issue.  The issue opens at the safe house, an abandoned plantation manor, from where Elvis and his team have plotted to stop a blood-sucking threat against Earth from another dimension.  Contemplating the nature and process of social wasps and their nest building, Elvis discovers something about the nature of their enemy – something that can help Elvis and company defeat them.  But the end may be bigger than Elvis and his team can imagine.

Without spoiling this issue, I can say that the resolution offered in Bubba Ho-Tep and the Cosmic Bloodsuckers #5 may have been hinted at since the first or second issue.  I did think there was some oddity in the way the adversarial monsters acted, as if they never fully employed the power they seemed to have.

This final issue is also kind of melancholy.  It seems as if circumstances, duty, and fate conspire to strip away characters' dignity to the point that one must give up so much to have a little peace of mind and self-determination.  For the sake of continuity (more or less), this ending does explain, to an extent, the state in which we find Elvis in “Bubba Ho-Tep.”

The change in artist does not hurt the story in a major way.  Considering the end, Horacio Domingues seems to be an appropriate off-beat note, and Ryan Hill's garish colors keep things as funky and as surreal as he did in the earlier issues.  I hope to see this creative team again.  I hope Joe R. Lansdale transfers the moniker, Bubba Ho-Tep, to Elvis, making it a battle name for the King of Rock 'n' Roll in a new future of monster fighting.  I hope...

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Sunday, November 10, 2019

Review: BUBBA HO-TEP and the Cosmic Bloodsuckers #3

BUBBA HO-TEP AND THE COSMIC BLOODSUCKERS No. 3
IDW PUBLISHING – @IDWPublishing

[This review was originally posted on Patreon.]

STORY: Joshua Jabcuga (based on the novel by Joe R. Lansdale) – @jabcuga @joelansdale
ART: Tadd Galusha – @TaddGalusha
COLORS: Ryan Hill
LETTERS: Tom B. Long
EDITOR: Joe Hughes
COVER: Baldemar Rivas
VARIANT COVER ARTISTS: Baldemar Rivas; Tadd Galusha
28pp, Color, $3.99 U.S. (May 2018)

There is a kind of flavorful, pop culture horror, a “McHorror,” if you will, like the tasty treats that are tricks from McDonald's.  In McHorror, pluck, grit, and a few Latin phrases will banish the fiercest denizens of Hades.  An example of this is The Conjuring scary movie franchise.  Then, there is another kind of horror storytelling.  In this horror, pithy quotes and declarations from the sacred texts and languages of Western religious faith cannot and will not stop two serial killers from enjoying Friday night cadaver poon at the local drive-in.

The latter is exemplified by author Joe R. Lansdale, whose bibliography is a journey through the dark corpus of America – from the rooter to the tooter.  IDW Publishing's current comic book miniseries, Bubba Ho-Tep and the Cosmic Bloodsuckers, is adapted from a 2017 novel by Lansdale.  That novel is a prequel to a Lansdale novella, “Bubba Ho-Tep” (which was adapted into film by another purveyor of non-McHorror storytelling, Don Coscarelli).

Bubba Ho-Tep and the Cosmic Bloodsuckers the comic book is adapted by writer Joshua Jabcuga; drawn by Tadd Galusha; colored by Ryan Hill; and lettered by Tom B. Long, with covers drawn by Baldemar Rivas.  The comic book follows a fictional version of legendary rock 'n' roll singer and performer, and American icon, Elvis Presley.  The King of Rock 'n' Roll works for a secret government organization (which might by named the “Hidden Agenda”).  Elvis' manager, “The Colonel” (based on the real-world Presley's manager, Colonel Tom Parker), is his handler, as Presley and a team of operatives fight supernatural threats to the world

As Bubba Ho-Tep and the Cosmic Bloodsuckers #3 opens, Elvis and company remain secure in an abandoned plantation manor protected by the craziest barriers, spells, and wards.  The team awaits an attack while Elvis gets his ashes hauled by some fine-ass spectral bouté, who will lend her powers to the cause.  An attack will come, but nothing about it will be what it appears to be.  And Elvis might have to fight the invaders while in a state of butt-ass nakedness!

I gave the first two issues of Bubba Ho-Tep and the Cosmic Bloodsuckers each a glowing review.  I love this comic book, and IDW can't get new issues to me fast enough to sate my outer-dimensional-vampire-like blood lust for it.  I was not going to review this third issue, but Tadd Galusha's art and storytelling is just too outrageous to ignore.

I enjoy Joe R. Lansdale's writing, and I am clearly enjoying Joshua Jabcuga's adaptation of Lansdale here.  As comic books rely on illustrations to tell much of the story, I have to notice artist Tadd Galusha.  He has to deliver, and he does in a way that matches the wildness and weirdness of the source and its adaptation.  Galusha impressive drawings include a naked, ghostly broad; a multi-headed thing connected to an oil slick-like monstrosity; and an army of the dead to rival Army of the Dead.  All of it is visually and graphically striking, obviously, but it exists to tell the story, which it truly does.  And well, Galusha draws an impressive naked Elvis.

Ryan Hill colors Bubba Ho-Tep and the Cosmic Bloodsuckers as if he is battling for his place in the hoary American comic book horror hall of fame.  He uses shades of orange, brown, blue, and green to create horror comic porn, and I'm aroused.

As Tom B. Long's spot-on lettering and fonts chase me with the simulated sound effects of funky phantom invasion, I await more.  And I wonder... what Mr. Lansdale might imagine Elvis doing off-camera when not racing cars in Viva Las Vegas.

10 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.


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Friday, September 27, 2019

Review: BUBBA HO-TEP and the Cosmic Bloodsuckers #2

BUBBA HO-TEP AND THE COSMIC BLOODSUCKERS No. 2
IDW PUBLISHING – @IDWPublishing

[This review was originally posted on Patreon.]

STORY: Joshua Jabcuga (based on the novel by Joe R. Lansdale) – @jabcuga @joelansdale
ART: Tadd Galusha – @TaddGalusha
COLORS: Ryan Hill
LETTERS: Tom B. Long
EDITOR: Joe Hughes
COVER: Baldemar Rivas
VARIANT COVER ARTISTS: Baldemar Rivas; Tadd Galusha
28pp, Color, $3.99 U.S. (April 2018)

Bubba Ho-Tep and the Cosmic Bloodsuckers is a current comic book miniseries adaptation of author Joe R. Lansdale's 2017 novel, Bubba and the Cosmic Bloodsuckers (Subterranean Press).  The novel is a prequel of sorts to Lansdale's 1994 alternative history and dark fantasy novella, “Bubba Ho-Tep.”

Lansdale is a prolific writer of novels and short stories and has also written numerous comic books, including three Jonah Hex miniseries for DC Comics and the graphic novel, Red Range.  SundanceTV's recent series, “Hap and Leonard,” is based on Lansdale's long-running “Hap (Collins) and Leonard (Pine)” series of novels, novellas, and short stories.

Bubba Ho-Tep and the Cosmic Bloodsuckers the comic book is adapted by writer Joshua Jabcuga; drawn by Tadd Galusha; colored by Ryan Hill; and lettered by Tom B. Long, with covers drawn by Baldemar Rivas.  The comic book follows a fictional version of legendary rock 'n' roll singer and performer, Elvis Presley.  The King of Rock 'n' Roll works for a secret government organization, in which his manager, “The Colonel” (based on the real-world Presley's manager, Colonel Tom Parker), is his handler, as Presley and a team of operatives fight supernatural threats to the world

As Bubba Ho-Tep and the Cosmic Bloodsuckers #2 opens, the blind seer, “Blind Man,” leads Elvis and company to an abandoned plantation manor.  He declares that it will be the base of operations from which The Colonel and Elvis and his four-man team will face a monstrous alien threat.  First, however, The Colonel and the Blind Man have a lot of information and mythology to share with the team.  Plus, Elvis learns that he has to pay “the price” and that the current circumstances are all his hip-swiveling and charismatic self's fault.

In my review of Bubba Ho-Tep and the Cosmic Bloodsuckers #1, I wrote that although the first issue was only 20 pages long (in terms of actual comics), it read like a 32-page tale.  Issue #2 is also 20 pages long and it reads like one of those double-sized comic book annuals that Marvel and DC Comics used to do so well.  Reading this second issue felt like reading 40+ pages tense drama with a generous helping of riveting back story and kooky mythology.

The television series, “The X-Files,” has regular, monster-of-the-week episodes in which Agents Dana Scully and Fox Mulder have to unravel the mystery of some monster, creature, or human with dangerous supernatural powers.  The series also offers mythology episodes which addresses or focus on the series' overall story arc concerning government conspiracies involving UFOs and the abduction of humans by beings from other worlds.

Bubba Ho-Tep and the Cosmic Bloodsuckers #2 is the mythology issue of this miniseries.  I have not (yet) read the novel upon which this comic book is based, but I have read some of Lansdale's other stories.  Series writer Joshua Jabcuga and artist/illustrator take the essence of Lansdale's weird “Bubba” cosmology and distill it into a single comic book.  Now, readers know who, what, where (for the most part) and can prepare themselves for the battles ahead.  I call this a “bible” of Bubba-verse, and this chapter is layered and detailed, yet with simplicity manages to prod our superstitions and fears of things that want to eat and drink us.

It is not giving Jabcuga and Galusha too much credit to say that they have taken a previously published work from another medium and transformed it into something exceptional in a different medium.  Bubba Ho-Tep and the Cosmic Bloodsuckers #2 convinces me that this series is a dark, nasty, evolved mutant child of classic scary comic books of the past.  This includes titles published by EC Comics and Warren Publications and the Joe Orlando-edited dark fantasy comic books of the late 1960s and 1970s.

Colorist Ryan Hill attacks Tadd Galusha's illustrations and graphical storytelling with angry, red hues.  I would rather believe that Hill painted this comic from a bucket of blood and offal rather than by using a digital palette.  Hill is definitely a co-storyteller along with Lansdale, Jabcuga, and Galusha.  And finally, veteran letterer Tom B. Long fills his word balloons and caption boxes with fonts and text that crawl towards the readers to deliver the gradually building sense of mystery, suspense, and dread of this truly fun to read second issue.

I highly recommend Bubba Ho-Tep and the Cosmic Bloodsuckers #2, as I did with the first issue.  Honestly, Baldemar Rivas' cover art for this issue alone is worth the cover price.

10 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Wednesday, April 3, 2019

Review: AMERICAN GODS: My Ainsel #1

AMERICAN GODS: MY AINSEL No. 1
DARK HORSE COMICS – @DarkHorseComics

[This review was originally posted on Patreon.]

STORY: Neil Gaiman
SCRIPT: P. Craig Russell
LAYOUTS: P. Craig Russell
ART: Scott Hampton
COLORS: Scott Hampton
LETTERS: Rick Parker
COVER: Glenn Fabry with Adam Brown
VARIANT COVER: David Mack
28pp, Color, $3.99 U.S. (March 2018)

American Gods, written by Neil Gaiman, is a fantasy novel first published in 2001.  The novel won several fantasy-literary awards and has been developed into the current hit television series for the cable network, Starz Media.  American Gods blends Americana and also ancient and modern mythology to tell the story of a man caught in a war between the gods of the Old World and the new American gods.

American Gods is currently being adapted into a comic book by frequent Gaiman collaborator, P. Craig Russell, and publisher, Dark Horse Comics.  Russell is the guiding hand behind the American Gods comic book.  Russell writes the script adaptation of Gaiman's novel and provides the layouts for the art.  American Gods the comic book is drawn and colored by Scott Hampton and lettered by Rick Parker.

This comic book adaptation will yield 27 issues of three nine-issue arcs.  The first arc ended late in 2017, and the first issue of the second arc, American Gods: My Ainsel, recently debuted.

American Gods: My Ainsel #1 finds the protagonist, Shadow Moon, and his mysterious employer, Mr. Wednesday reunited after Shadow's time in Cairo, Illinois with Jacquel and Ibis.  Once again, Shadow is playing driver for Mr. Wednesday, and on Christmas Day, the duo stops in a small town for holiday meal at “Gus's Family Restaurant.”  Wednesday gives Shadow a new name, Mike Ainsel, but a new name is not the only new thing Shadow... er... Mike will experience.

In my review of previous issues of this series, I always inform you, dear reader that I am a big fan of American Gods, although I did not read it upon its original release in 2001.  I read the tenth anniversary edition which featured a longer text – the author's preferred edition.  I also feel that I must admit that I loved that book, and that “love” is not a strong enough word in this case.  American Gods: The Tenth Anniversary Edition is one of my favorite books, and I consider the reading of that edition of American Gods to be a life-changing event for me in terms of my life as a writer.

With that out of the way, I can say that I continue to enjoy this series.  I admire the patient way in which P. Craig Russell adapts the novel.  He captures both the details and spirit of this narrative through balance, knowing what text to retain and what to translate into illustrations.  Scott Hampton drawings and colors are eccentric and ethereal, but also quite solid in storytelling.  Letterer Rick Parker  hums along, capturing the magic with his stylish fonts and with the deftness in where he places exposition and word balloons.

So again, I implore you readers to set aside your four dollars each month so that you can buy this lovely comic book, dear reader.  I still think that American Gods may end up being on the short list of great comic book adaptations of a prose novel.

9 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Tuesday, March 5, 2019

Review: BUBBA HO-TEP AND THE COSMIC BLOODSUCKERS #1

BUBBA HO-TEP AND THE COSMIC BLOODSUCKERS No. 1
IDW PUBLISHING – @IDWPublishing

[This review was originally posted on Patreon.]

STORY: Joshua Jabcuga (based on the novel by Joe R. Lansdale)
ART: Tadd Galusha
COLORS: Ryan Hill
LETTERS: Tom B. Long
EDITOR: Joe Hughes
COVER: Baldemar Rivas
VARIANT COVER ARTISTS: Tim Truman; Baldemar Rivas; Tadd Galusha
28pp, Color, $3.99 U.S. (March 2018)

“Bubba Ho-Tep” is a 1994 novella written by short story author, novelist, and comic book writer, Joe R. Lansdale.  An “alternate history” tale, “Bubba Ho-Tep” was first published in, The King is Dead: Tales of Elvis Post-Mortem, an Elvis Presley themed anthology.

Filmmaker Don Coscarelli (Phantasm) wrote and directed a film adaptation of the novella, which earned a cult following.  Also entitled Bubba Ho-Tep, the film starred Bruce Campbell as Elvis and the late Ossie Davis as “Jack,” a black man who claimed to be the President John F. Kennedy.

Lansdale wrote a novel, Bubba and the Cosmic Bloodsuckers (2017, Subterranean Press), that was a prequel or background story to “Bubba Ho-Tep.”  IDW Publishing is currently publishing a comic book adaptation of the 2017 novel.  Entitled Bubba Ho-Tep and the Cosmic Bloodsuckers, the comic book is adapted by writer Joshua Jabcuga; drawn by Tadd Galusha; colored by Ryan Hill; and lettered by Tom B. Long.  The comic book follows Elvis who works for a secret government organization, fighting monsters along with a team of operatives.

Bubba Ho-Tep and the Cosmic Bloodsuckers #1 opens in the penthouse suite of a Las Vegas Hotel.  It introduces Johnny Smack, a bodyguard for Elvis Presley.  Smack narrates the story, claiming that Elvis retired from being a recording artist and music performer.  An “Elvis impersonator” now pretends to be the “real Elvis,” while the real Elvis pretends to be one of many Elvis impersonators.

Elvis works for a secret government agency, with his activities overseen by his manager, “The Colonel” (based on the real-world Presley's manager, Colonel Tom Parker).  President Richard Nixon calls “The Colonel” into his secret lair where he informs him about an alien threat that must be stopped.  However, this threat is unlike anything Elvis and company have ever faced.

Bubba Ho-Tep and the Cosmic Bloodsuckers #1 is one of the best first issues that I have read this year.  It is already one of my favorite comic books of the last several years, so I hope that this first issue is not a fluke.  A blend of B-movies, weird fiction, Southern Gothic, monster movies, horror, and Elvis Presley subculture, Bubba Ho-Tep and the Cosmic Bloodsuckers #1 offers a lot of background information and action for a first issue, especially since so many current first issue comic books amount to teaser trailers or vague prologues.  Bubba Ho-Tep and the Cosmic Bloodsuckers #1 is only 20 pages long, but it reads like a 32-page tale.

I have not read Lansdale's original novel, but Joshua Jabcuga's adaptation delivers a superb first issue.  He made me immediately want to read the second issue.  Tadd Galusha's art has a funky vibe that reminds me of the art in alt-comics and Underground Comix that were homages to classic EC Comics.  Think the late Rand Holmes and underrated genius, Rick Altergott.  Ryan Hill's garish, day-glo and back-lit colors are perfect for the Bubba Ho-Tep concept.  Tom B. Long packs the thick dialogue and heavy exposition into neat boxes and balloons in a way that helps the weirdness of this comic book go down smoothly with southern fried aftertaste.

I highly recommend Bubba Ho-Tep and the Cosmic Bloodsuckers #1.  I already hope that this team produces more Bubba Ho-Tep comic books series.

9 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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