Review: STAR WARS: Age of Rebellion - Han Solo #1

STAR WARS: AGE OF REBELLION – HAN SOLO No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Greg Pak
PENCILS: Chris Sprouse
INKS: Karl Story
COLORS: Tamra Bonvillain
LETTERS: VC's Travis Lanham
EDITOR: Mark Paniccia
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Terry Dodson with Rachel Dodson
VARIANT COVER ARTISTS: Gerald Parel; Mike McKone with Guru-eFX; Yasmine Putri; Ralph McQuarrie (Concept Design Variant Artist)
28pp, Color, $3.99 U.S. (July 2019)

Rated T

“Running from the Rebellion”

Han Solo is one of the most beloved characters in the Star Wars film series.  Han Solo was the first ally farm boy, Luke Skywalker, and former Jedi Knight, Ben Kenobi, gathered as Luke answered the call to adventure in the original 1977 Star Wars film (also known as Star Wars: Episode IV – A New Hope or simply, Star Wars: A New Hope).

Marvel Comics is currently publishing a new Star Wars maxi-series project that comprises three series:  Star Wars: Age of Republic, Star Wars: Age of Rebellion, and Star Wars: Age of Resistance.  This project will span 30 issues in total (reportedly), with each issue spotlighting one hero or villain from one of three particular Star Wars eras:  Republic (prequel trilogy), Rebellion (original trilogy), and Resistance (sequel trilogy).  [The project is abbreviated as “Star Wars AOR.”]

Star Wars: Age of Rebellion – Han Solo #1 is a recent release in the Age of Rebellion series.  It is written by Greg Pak; drawn by Chris Sprouse (pencils) and Karl Story (inks); colored by Tamra Bonvillain, and lettered by Travis Lanham.  “Running from the Rebellion” is set not long (apparently) after the events depicted in A New Hope.

Star Wars: Age of Rebellion – Han Solo #1 (“Running from the Rebellion”) finds Han Solo and his Wookie friend, companion, and copilot, Chewbacca, counting the 17,000 in Imperial credits they have received as a payoff from the promise made to them by the “late” Ben Kenobi.  Now, Han has plans.  He is ready to move back to his life as a smuggler, which includes paying the crime lord Jabba the Hutt the money that he owes them.  Thus, Han is a bit perturbed when Luke Skywalker asks for one last favor, and Han gets pulled into a rebel mission that might wreck all his plans.

First, I have to say that I think that Star Wars: Age of Rebellion – Han Sol #1 is, thus far, my favorite of the four comic books in the “AOR” line that I have read.  If I understand correctly, Marvel Comics' Star Wars comic books, as of 2015, are official Star Wars canon.  So this delightful story, “Running from the Rebellion,” explains how Han Solo became a member of the Rebel Alliance.  Or it at least explains why he is still stuck with the rebels at the beginning of The Empire Strikes Back (1980).

Greg Pak's script for this comic book is well written, and Pak can be hit or miss.  Unlike the recent AOR Princess Leia comic book, the art team of Chris Sprouse and Karl Story draws the entirety of “Running from the Rebellion,” and an entire issue of Chris Sprouse's pencils is always a good thing.  Tamra Bonvillain's gorgeous colors are perfect for a Star Wars comic book, especially for a Chris Sprouse-Karl Story drawn Star Wars comic book.  And, of course, I see you, Travis Lanham, with your always high-quality lettering.  It's all good.

I hope more AOR comics are like Star Wars: Age of Rebellion – Han Solo #1.

8.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: KING CONAN: The Hour of the Dragon #3

KING CONAN: THE HOUR OF THE DRAGON #3 (#11 in the series)
DARK HORSE COMICS – @DarkHorseComics

WRITER: Timothy Truman
ART: Tomás Giorello
COLORS: José Villarrubia
LETTERS: Richard Starkings & Comicraft
COVER: Gerald Parel
EDITOR: Philip R. Simon
28pp, Colors, $3.50 U.S. (July 2013)

Adapts the novel by Robert E. Howard
The Hour of the Dragon Part 3 of 6: “Zenobia”

Originally serialized in the pulp magazine, Weird Tales, from 1935 to 1936, The Hour of the Dragon (also known as Conan the Conqueror), is the only novel Robert E. Howard wrote starring his signature character, Conan the Cimmerian.

Dark Horse Comics is adapting The Hour of the Dragon into comics as two six-issue miniseries.  The first is King Conan: The Hour of the Dragon, and the second will be entitled King Conan: The Conqueror.

King Conan: The Hour of the Dragon is written by Timothy Truman and drawn by Tomás Giorello, already acclaimed for the Conan comics they have produced together over the last several years.  They are joined by their stellar collaborators, José Villarrubia on colors and Richard Starkings & Comicraft on letters.

In The Hour of the Dragon, an aged King Conan recounts to the young scribe, Pramis, the tale of how he met his wife, the late Queen Zenobia.  At that time, Conan was King of Aquilonia, but a small band of conspirators against him revive Xaltotun, an ancient sorcerer.  The wizard uses his magic to help the army of Nemedia nearly destroy the army of Aquilonia.  But the king is not dead.

King Conan: The Hour of the Dragon #3 opens in the bowels of the dungeons of King Tarascus’ castle.  There, Conan faces a man-eating gray ape; once again Zenobia, who freed him from his cell, comes to the rescue.  Meanwhile, Tarascus plots against the very creature that brought him victory over Conan – the wizard Xaltotun.  Little does he know that a free Conan is probably as dangerous as Zaltotun’s sorcery.

There is nothing new to say about King Conan: The Hour of the Dragon.  It was damn good to begin with, and this third issue is also... damn good

Writer Timothy Truman and artist Tomás Giorello are telling a story in bold masculine strokes with relentlessly muscular scenes, delivered in an unapologetically bloody visual language.  Yet with José Villarrubia’s colors, it all looks like a fantastic jeweled tapestry.  King Conan: The Hour of the Dragon is the best Conan comic book from the best Conan comic book publisher.

A+

Reviewed by Leroy Douresseaux

Review: KING CONAN: The Hour of the Dragon #2

KING CONAN: THE HOUR OF THE DRAGON #2 (#10 in the series)
DARK HORSE COMICS – @DarkHorseComics

WRITER: Timothy Truman
ART: Tomás Giorello
COLORS: José Villarrubia
LETTERS: Richard Starkings & Comicraft
COVER: Gerald Parel
EDITOR: Philip R. Simon
28pp, Colors, $3.50 U.S. (June 2013)

Adapts the novel by Robert E. Howard

The Hour of the Dragon Part 2 of 6: “The Haunts of Hell”

The Hour of the Dragon is the only Conan novel written by the character’s creator, author Robert E. Howard. The Hour of the Dragon (also known as Conan the Conqueror) is currently being adapted into comic book form by Dark Horse Comics. The novel will yield two six-issue miniseries. The first is King Conan: The Hour of the Dragon, and the second will be entitled King Conan: The Conqueror.

King Conan: The Hour of the Dragon is written by Timothy Truman and drawn by Tomás Giorello, already acclaimed for the Conan comics they have produced together over the last several years. They are joined by their stellar collaborators, José Villarrubia on colors and Richard Starkings & Comicraft on letters.

King Conan: The Hour of the Dragon #2 opens in Tarantia, capital city of the kingdom of Aquilonia. King Conan continues to recount to the young scribe, Pramis, the tale of how he met his wife, the late Queen Zenobia.

The story once again returns to the long-ago, this time the aftermath of the battle at Valkia. With the help of the resurrected sorcerer, Xaltotun, a conspiracy against King Conan was successful in nearly destroying the army of Aquilonia. Now, the victorious army of Nemedia, however, is about to find out that the king is not dead. And Xaltotun does not want him dead.

Weakened by Xaltotun’s spells and imprisoned in a foreign land, Conan has lost his kingdom, and he could lose so much more. Now, his only hope may rest in the hands of a mysterious, harem girl named Zenobia.

I was ecstatic upon hearing that Dark Horse Comics was going to adapt into comics, Robert E. Howard’s sword-and-sorcery novel, The Hour of the Dragon, one of my all-time favorite books. After reading King Conan: The Hour of the Dragon #2, my initial excitement about the series is truly justified. This is a great comic book. I wonder if writer Timothy Truman and artist Tomás Giorello can maintain this high level of quality through the remaining four issues.

The word to describe Truman’s adaptation of Howard’s novel is “meaty.” This is masculine, sword-wielding fantasy. No one’s contemplating an epic war in which elves, little people, and squabbling human try to retrieve some magical items from the really, really bad guy. This is get-your-hands-dirty fiction.

Yet Tomás Giorello brings the pomp and circumstance of epic fantasy to this story. He makes it as spacious and epic, as it is closed-in, sword to sword. With José Villarrubia’s colors, there is an elegant, bejeweled quality to the art that does not take away from the frenzied, masculine sensations in King Conan: The Hour of the Dragon.

A

Reviewed by Leroy Douresseaux

Review: KING CONAN: The Hour of the Dragon #1

KING CONAN: THE HOUR OF THE DRAGON #1 (#9 in the series)
DARK HORSE COMICS – @DarkHorseComics

WRITER: Timothy Truman
ART: Tomás Giorello
COLORS: José Villarrubia
LETTERS: Richard Starkings & Comicraft
COVER: Gerald Parel
VARIANT COVER: Sanjulián
EDITOR: Philip R. Simon
28pp, Colors, $3.50 U.S. (May 2013)

The Hour of the Dragon is the only novel featuring Conan the Cimmerian (or Barbarian) written by author Robert E. Howard, Conan’s creator. The novel originally ran as a serial in the pulp magazine, Weird Tales, from 1935 through 1936. The novel was first published in book from as Conan the Conqueror (1950, Gnome Press).

Dark Horse Comics is producing a comic book adaptation of the novel as two six-issue miniseries. The first series, King Conan: The Hour of the Dragon, will be released to comic book stores this week (as of this writing). The second miniseries will be titled King Conan: The Conqueror.

King Conan: The Hour of the Dragon is written by Timothy Truman and drawn by Tomás Giorello, already acclaimed for the Conan comics they have produced over the last several years. They are joined by their stellar collaborators, José Villarrubia on colors and Richard Starkings & Comicraft on letters.

King Conan: The Hour of the Dragon #1 opens in Tarantia, capital city of the kingdom of Aquilonia. King Conan is visiting the burial chambers of his late Queen, Zenobia. It is there that a young scribe, Pramis, meets the king and begins recording the tale King Conan tells him – the story of how he met Zenobia.

The story begins in remote Nemedia, on the eve of the Year of the Dragon. In another crypt, a group of malcontents and conspirators, seeking help to capture the thrones of kingdoms they covet, summon a wizard dead for three thousand. Now, King Conan must face a traitorous alliance backed by the resurrected sorcerer, Xaltotun.

I was ecstatic upon hearing that Dark Horse Comics was going to adapt into comics, Robert E. Howard’s sword-and-sorcery novel, The Hour of the Dragon, one of my all-time favorite books. I think that the novel has only been turned into comics once before, in the early to mid-1970s by Marvel Comics.

I am happy with the resulting first issue of King Conan: The Hour of the Dragon. Tim Truman seems to have absorbed the essence of the novel, while relocating the best of Howard’s prose into comics. The novel does have some rough patches, in which the story meanders, so I wonder if this will show over the course of a 12-issue adaptation.

Personally, I’m ready to put Tomás Giorello’s name next to the great Conan comic book artists, Barry Windsor-Smith and John Buscema. Giorello’s art has the pen and ink texture of book illustration and a graphic style that captures the bizarre sensibilities of pulp fantasy tales. José Villarrubia’s colors complete the illusion that the art belongs to a bygone pre-World War II era of fantastic fiction. However, there is no mistaking King Conan: The Hour of the Dragon for a pastiche. This is real-deal Conan.

A

Reviewed by Leroy Douresseaux

Leroy Douresseaux Reviews: KING CONAN: The Phoenix on the Sword #1

"Old Man Conan"
KING CONAN: THE PHOENIX ON THE SWORD #1 (OF 4)
DARK HORSE COMICS

WRITER: Timothy Truman
ART: Tomás Giorello
COLORS: José Villarrubia
LETTERS: Richard Stakings & Comicraft
VARIANT COVER: Gerald Parel (Andrew Robinson-regular cover)
28pp, Colors, $3.50 U.S.

During his three-decade career in comic books, did the industry or the public ever consider Tim Truman A-list talent? By the breath and scope of his talent and his work, he certainly was/is, if it is even appropriate to categorize him with what are the usual and the standard in comic books. The terms “eclectic” and “diverse” seem a tad bit understated when describing Truman’s body of work.

Even as Lonesome Dove, Dances with Wolves, and Unforgiven made the Western cool again, Truman was looking at the past, present, and future of the Western and frontier storytelling (Jonah Hex, The Kents, Scout, Wilderness, etc.). Before Christopher Nolan and Guillermo del Toro, among others, were surprising people with their re-imaginations and interpretations of superheroes and classic fantasy characters, Tim Truman was bold and visionary on Hawkworld, JLA: Gatekeeper, and The Spider, among many.

In his comics, Truman, as a writer, artist, and writer/artist, offers muscular storytelling presented with surprising grace in beautiful graphics. So Truman is one of those rare creators who are actually ideal to create Conan the Barbarian comic books. Many are good, but few can capture both the splendor of Howard’s prose and the darkness and brutality of which this prose tells.

When it appeared in the cover-dated December 1932 issue of the famed pulp fiction magazine, Weird Tales, “The Phoenix on the Sword” became the first published story featuring the character, Conan the Barbarian. Tim Truman as writer and Tomás Giorello as artist have adapted that story in King Conan: The Phoenix on the Sword, a four-issue comic book miniseries from Dark Horse Comics. The fourth and final issue recently arrived in comic book shops shortly.

King Conan: The Phoenix on the Sword #1 introduces us to a gray-haired Conan, King of Aquilonia, and to Pramis, a scribe who is chronicling the story of King Conan’s rule. Conan tells Pramis of a time early in his reign – a time of unrest – and the story travels back to that time.

Although Conan freed Aquilonia from a despotic king, he is now despised by Aquilonians, from the common man to the elite. Rinaldo, the poet and bard, who once sang his praises, now stirs unrest against Conan and is part of a plot to unseat Conan and replace him on the throne with a pure blood Aquilonian, Baron Dion. The mysterious Ascalante is the ringleader, but even more mysterious is Ascalante’s companion, a long-time enemy of Conan, the wizard Thoth-Amon.

I find King Conan: The Phoenix on the Sword to be an unusual Conan story. It is not as if I haven’t read a Conan story like this – one that is a conspiratorial drama, but this is not the Conan comic book norm. There is more dark drama here than there is edgy drama; in fact, the only fight scene is Conan’s palace workout at the beginning of the story.

That is not at all a bad thing. Tim Truman fashions a story filled with political machinations and intrigue, but at its heart, it examines what happens when you get what you thought you wanted and then find it to be a prison. As a monarch, Conan is trapped, and the interesting twist that Truman gives this story is that his enemies may be about to get what they wanted, but in the worst way.

Truman has a wonderful collaborator in Tomás Giorello, who takes Truman’s script and transforms it into comic book art that is a tapestry of exotic backdrops, a striking cityscape, strange costumes, and shadowy backrooms (includes a fine double page spread). This art is not only perfect for Conan, but for just about any Robert E. Howard story. Giorello could probably deliver a stunning comic book vision of Tolkien.

This comic book also includes a 4-page preview of Conan the Barbarian #1 by Brian Wood, Becky Cloonan, Dave Stewart, and Richard Starkings & Comicraft, with cover art by Massimo Carnevale.

http://www.ttruman.com/