Showing posts with label James Vance. Show all posts
Showing posts with label James Vance. Show all posts

Thursday, March 28, 2013

Graphic Novel Review: ON THE ROPES

ON THE ROPES
W.W. NORTON & COMPANY, INC. – @norton_fiction

WRITER: James Vance – @authorjvance
ARTIST: Dan E. Burr
LETTERS/HALFTONES: Debbie Freiberg
COVER: Dan E. Burr
ISBN: 978-0393-06220-5; hardcover (March 2013)
258pp, B&W, $24.95 U.S., $26.50 CAN

James Vance is a comic book writer who has written for comic books such as The Crow and The Spirit. Dan E. Burr is an illustrator who has drawn comics for DC Comics’ Big Book Series. Together, Vance and Burr are pioneers of the American graphic novel because a particular work that was first published in 1988.

On the Ropes: A Novel is a 2013 hardcover, original graphic novel from James Vance and Dan E. Burr. It is the follow-up to their Kings in Disguise, a graphic novel that was originally serialized as a six-issue comic book miniseries and published in 1988 by Kitchen Sink Press. Kings in Disguise was a highly acclaimed comic book. At the time of its first publication, it drew praise from such comic book luminaries as Alan Moore, Will Eisner, Harvey Kurtzman and Art Spiegelman. It won a Harvey Award and two Eisner Awards.

Set during the Great Depression, Kings in Disguise was the story of 13-year-old Manfred “Freddie” Bloch, a Jewish boy from the fictional town of Marian, California. Freddie and his older brother, Al, are abandoned by their father, a widower who can no longer support his family. In 1932, Freddie takes to the rails – traveling the country by train as a hobo – where he meets Sammy. Calling himself “the King of Spain,” Sammy is a sickly, older hobo who takes Freddie under his wing. Together, they travel through a scarred America, searching for Freddie's father.

On the Ropes opens in 1937, some five years after Freddie Bloch left home. Now 17, Freddie works in a traveling WPA circus. He is apprenticed to the circus’ star attraction, the escape artist, Gordon Corey. The act, called “Gordon Corey Escapes,” is a hangman’s illusion that plays it dangerously close to the edge.

After surviving the Detroit labor riots and violent anti-Communist mobs, Freddie has found home and has even befriended Eileen Finnerty, a gracious young woman who works at the circus. Could she become Freddie’s girlfriend? Before he started working for the circus, Freddie discovered that he has a talent for writing. Thus, he finds a kindred spirit, of sorts, in Barbara Woodruff, a WPA guide book writer who is interested in Gordon’s life story. In her own acerbic way, Woodruff nurtures Freddie’s talent.

Freddie also has a double life. He has joined the Workers Brigade, and he moonlights as a delivery boy for the different groups of workers trying to secretly coordinate their countrywide strikes. As “Jim Nolan,” Freddie receives and sends out secret letters as he travels with the circus. Freddie does not know that Virgil and Chase, two murderous union busters, are trying to find out who the “mailman” is.

Gordon sees that Freddie is playing a dangerous game, and although he is jaded and tired, Gordon wants to see his young assistant make something of himself. Both Freddie and Gordon, however, are haunted by the tragic past, which causes friction between the two. Each man can save the other or bring about their mutual destruction.

I will certainly be among the many reviewers and critics voicing great praise for On the Ropes. In the last decade or so, I have read few comic books that I felt in my heart as I read them. On the Ropes is one of those books. By the end of the year, On the Ropes will likely still be the best comic book or graphic novel of 2013; it will take a miracle for there to be a comic book that knocks On the Ropes off its perch.

James Vance’s story is unflinchingly human, telling a story that captures humankind both in stark contrasts and in perplexing shades of gray. The characters are basically stock characters, but Vance imbues them with humanity. Combine that with the intricacies of the narrative and with the various plot twists and these characters are largely unknowable, but have intriguing quantities that make them worth the effort to know. Vance delves so deeply into plot, setting, and character that his comic book script is more like a novel than a comic book script.

Dan E. Burr’s art is so earnest and heartfelt that it wrings the humanity out of Vance’s story. His compositions are painterly and reminded me of American art movements like American regionalism, social realism, and the Ashcan School. Thus, Burr’s graphical storytelling has more than twice the narrative heft than many of the best graphic novels of the last 30 years.

On the Ropes has a straightforward plot, and past and present are seamless in the way they move the story towards its conclusion. There is such complexity in this graphic novel that the entire time I read it, I thought of On the Ropes as a novel and not as a comic book (not saying comic books are junk).

Of course, the title, On the Ropes, is both literal and figurative. Vance and Burr take on the social and political turmoil of the Great Depression in ways that are intensely poignant and heartrending, but also ardently involved. Vance and Burr aren’t sitting on the sidelines, being dispassionate in recounting the past.

They have turned American history into great drama. This is a hypnotic account of who we were and where we came from that shows us who we are now and why we are where we are. As the Rev. Dr. Martin Luther King said, time is neutral. Then, On the Ropes is not only a timeless masterpiece, but it is also quite timely, especially if you’ve been paying attention to where we are now.

A+

Reviewed by Leroy Douresseaux


Saturday, March 9, 2013

I Reads You Review: KINGS IN DISGUISE #2

KINGS IN DISGUISE #2 (OF 6)
KITCHEN SINK PRESS, INC.

WRITER: James Vance – @authorjvance
ARTIST: Dan Burr
INKS ASST.: Debbie Freiberg
COVER: Harvey Kurtzman and Peter Poplaski
32pp, B&W, $2.00 U.S., $2.60 CAN (May 1988)

Kings in Disguise was a six-issue comic book miniseries, published in 1988 by Kitchen Sink Press. Created by writer Jim Vance and artist Dan Burr, Kings in Disguise was a highly acclaimed comic book, drawing praise from such comic book luminaries as Alan Moore, Will Eisner, Harvey Kurtzman and Art Spiegelman.

Kings in Disguise is set during the Great Depression. The story follows 13-year-old Manfred “Freddie” Bloch, a Jewish boy from the fictional town of Marian, California. His father becomes a victim of the Depression when he loses his job, and he subsequently abandons his sons. Freddie’s brother, Al, runs afoul of the law, leaving the boy alone.

Freddie takes to the rails – traveling the country by train as a hobo – where he meets Sammy. Calling himself “the King of Spain,” Sammy is a sickly, older hobo who takes Freddie under his wing. Together, they travel through a scarred America, searching for Freddie's father.

Kings in Disguise #2 opens after a stranger saves Freddie from the crazed hobo, Joker. Who is Freddie’s savior? Why, it is none other than Sammy, the King of Spain. Freddie discovers, however, that King Sammy is unstable. Though he is affable, Sammy could be friend, foe, or even annoyance.

Kings in Disguise has an attention to detail that results when a writer and artist are two separate individuals who can come together to become essentially one creative voice, sharing a singular vision. As a writer, James Vance is both human and humane. As an artist, Dan Burr has an old-fashioned sensibility that uses the bells and whistles of black and white magazine illustration to create texture and veracity. Ink turns the interplay of black and white space into graphics and images that are solid, so this world Burr draws has verisimilitude. Solidity births that which seems like something genuine to the reader, encouragement to buy into the world of Kings in Disguise.

Kings in Disguise is a great American story of true grit. It is easy to see why Kings in Disguise is considered one of the greatest graphic novels of all time.

A+

NOTES:
Harvey Awards
Best New Series
1989 Kings in Disguise, by James Vance and Dan Burr (Kitchen Sink Press)

Eisner Awards:
Best Single Issue/Single Story
1989 Kings in Disguise #1, by James Vance and Dan Burr (Kitchen Sink)

Best New Series
1989 Kings In Disguise, by James Vance and Dan Burr (Kitchen Sink)

Reviewed by Leroy Douresseaux