#IReadsYou Review: STAR WARS #1

STAR WARS #1 (2020)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon and visit the "Star Wars Central" review page.]

STORY: Charles Soule
ART: Jesus Saiz
COLORS: Jesus Saiz; Arif Prianto
LETTERS: VC's Clayton Cowles
EDITOR: Mark Paniccia
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: R.B. Silva with Guru-eFX
VARIANT COVER ARTISTS: Arthur Adams with Jesus Aburtov; Jen Bartel; Adam Hughes; Mahmud Asrar with Matthew Wilson; Phil Noto; Chris Sprouse; Karl Story with Neeraj Menon
4pp, Color, $4.99 U.S. (March 2020)

Rated T

“The Destiny Path” Part I

In 2015, Marvel Comics began publishing Star Wars comic books again.  Star Wars #1 opened in the time immediately after the events depicted in the original film, Star Wars (1977), which is also known as Star Wars: Episode IV – A New Hope.  After 75 issues, that series ended.

Now comes Star Wars 2020.  It is written by Charles Soule; drawn by Jesus Saiz; colored by Arif Prianto and Saiz; and lettered by Clayton Cowles.  The new series takes place after the events depicted in the 1980 Star Wars film, The Empire Strikes Back (also known as Star Wars: Episode V: The Empire Strikes Back).

Star Wars #1 opens inside the Millennium Falcon.  Its passengers:  Luke Skywalker, Princess Leia, Chewbacca, R2-D2, C-3PO, and Lando Calrissian escaped the Cloud City of Bespin, formerly owned by Lando.  They also escaped capture by the forces of the Galactic Empire, thanks to a save by R2-D2, as seen in The Empire Strikes Back.  There are also feelings of recrimination and anger over the capture of Han Solo by bounty hunters, led by Boba Fett, in service of Darth Vader.

Leia's plan is for them to reach The Mid Rim, Rendezvous Point: Delta-Three and join the “Fourth Division” of the Rebel Fleet.  But the Fourth Division is trapped there by imperial forces led by Lieutenant Gorr of the Imperial Star Destroyer, “Tarkin's Will.”  Now, Leia, Luke, Chewbacca, and Lando will have to put aside the anger, pain, and grief if they are going to save the Rebel Alliance... and find a traitor.  Meanwhile, Luke struggles with his destiny in the aftermath of his battle with Darth Vader in Cloud City.

Star Wars #1 (2020) takes place inside the final 10 minutes of The Empire Strikes Back.  It expands on what happened between the Millennium Falcon escaping the Imperial forces shortly after leaving Bespin and the film's final moments.  Writer Charles Soule has said that he hopes to use this new Star Wars series to expand on what happened between The Empire Strikes Back and Return of the Jedi (1983), the final film of the original Star Wars trilogy.  And I'm all for that!

Star Wars #1 is a very well written first issue, as Soule expounds on the conflict between Leia and Chewbacca against Lando.  Soule delves into Luke's struggles after his duel with Darth Vader, revealing a young man adrift and who may have to find his own way.  Soule plays up the idea that Luke's journey will be different from that of any other Jedi's.  Soule also offers a tremendous mini action-thriller involving a besieged part of the Rebel Fleet, facing certain doom at the hands of Imperial Star Destroyers.  Soule creates the perfect scenario in which he can show how the post-Episode V core of heroes:  Luke, Leia, Lando, Chewbacca, and the Droids can work together to save the Rebellion.

I really like the art by Jesus Saiz and Arif Prianto.  The graphical storytelling is moody and emotionally, but also offers edge-of-your-seat thrills, all of it well paced by Clayton Cowles' lettering.  For however long Saiz and Prianto work on this new Star Wars series, they seem capable of capturing the dark mood of a time when the Star Wars narrative fell into the deep, cold shadows of the Empire.

I have to be honest.  Although I was a regular reader of the previous series, Star Wars (2015), my excitement for the series's last 12 issues was about a third of what it was for the first 12 issues.  Star Wars #1 2020 has not made me feel the original highs I felt, but it's close enough.

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-----------------------------------------

Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).

Review: STAR WARS: Age of Rebellion - Princess Leia #1

STAR WARS: AGE OF REBELLION – PRINCESS LEIA No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.  And visit the "Star Wars Central" review page here.]

STORY: Greg Pak
ART: Chris Sprouse and Karl Story; Will Sliney, Marc Deering and Karl Story
COLORS: Tamra Bonvillain
LETTERS: VC's Travis Lanham
EDITOR: Mark Paniccia
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Terry Dodson with Rachel Dodson
VARIANT COVER ARTISTS: Giuseppe Camuncoli with Elia Bonetti; Mike McKone with Guru eFX
28pp, Color, $3.99 U.S. (June 2019)

Rated T

“Princess Scoundrel”

Princess Leia is one of the most beloved characters in the Star Wars film series.  In fact, her rescue is what forces Luke Skywalker to answer the call to adventure in the original 1977 Star Wars film (also known as Star Wars: Episode IV – A New Hope or simply, Star Wars: A New Hope).

Marvel Comics is currently publishing a new Star Wars maxi-series project that comprises three books:  Star Wars: Age of Republic, Star Wars: Age of Rebellion, and Star Wars: Age of Resistance.  This project will span 30 issues in total (reportedly), with each issue spotlighting one hero or villain from one of three particular Star Wars eras:  Republic (prequel trilogy), Rebellion (original trilogy), and Resistance (sequel trilogy).

Star Wars: Age of Rebellion – Princess Leia #1 (“Princess Scoundrel”) is one of the first two releases in the Age of Rebellion series (along with Star Wars: Age of Rebellion – Grand Moff Tarkin #1).  It is written by Greg Pak.  The story is drawn by two art teams:  Chris Sprouse (pencils) and Karl Story (inks) on pages 1-12 and page 20 and Will Sliney, Marc Deering and Karl Story on pages 13 to 19.  The story is colored by Tamra Bonvillain, and lettered by Travis Lanham.  “Princess Scoundrel is set sometime between the events depicted in The Empire Strikes Back (Star Wars: Episode V) and Return of the Jedi (Stars Wars: Episode VI).

Star Wars: Age of Rebellion – Princess Leia #1 (“Princess Scoundrel”) finds Leia and Chewbacca, the longtime Wookie partner and friend of Han Solo, aboard the Millennium Falcon.  They are one their way to rescue Han, who has been captured by the galactic crime lord and gangster, Jabba the Hutt, when they get a call from the Rebel Alliance.  A rebel craft has been shot down over the Outer Rim planet of Arkanis.  Who needs rescuing but Lando Calrissian, the man who is responsible for Han's current state of affairs.  Now, to rescue him, Leia must play a game of bounty hunters.

First, I have to say that I think that Star Wars: Age of Rebellion – Princess Leia #1 would make a better miniseries than it does as a one-shot, but I guess it is best not to encourage Marvel Comics when it comes to Star Wars miniseries.  Still, in this twenty-page story, writer Greg Pak composes what is an interesting depiction of the relationship dynamics between Leia and Lando.  Pak also offers a compelling game of deception involving Leia, Lando, and Chewbacca and the infamous bounty hunters, Boushh and Bossk.

The art, produced by two teams for this comic book, is beautiful.  I think the second team does a good job producing art that looks like that of the first team.  The art especially captures the visual appearances of the characters as we expect them to look (like the actors that originally portrayed them) and also creates the exotic environments and landscapes we expect of a Star Wars world.

Tamra Bonvillain's gorgeous colors are perfect for a Star Wars comic book, and I have to be honest.  I always think that Bonvillain's colors are gorgeous.  Travis Lanham's lettering and effects are also excellent; he is seems like a just-right letterer for Star Wars, too.

I would like more of Star Wars: Age of Rebellion – Princess Leia #1.  In fact, once again, let me say that I wish it were a miniseries.

7.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

----------------------

Review: STAR WARS: Age of Rebellion - Luke Skywalker #1

STAR WARS: AGE OF REBELLION – LUKE SKYWALKER No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon. And visit "Star Wars Central" review page here.]

STORY: Greg Pak
PENCILS: Chris Sprouse; Scott Koblish; Stefano Landini
INKS: Karl Story; Marc Deering
COLORS: Tamra Bonvillain
LETTERS: VC's Travis Lanham
EDITOR: Mark Paniccia
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Terry Dodson with Rachel Dodson
VARIANT COVER ARTISTS: Chris Sprouse and Karl Story with Neeraj Menon; Mike McKone with Guru eFX; Ralph McQuarrie (Concept Design Variant Artist)
28pp, Color, $3.99 U.S. (August 2019)

Rated T

“Fight or Flight”

Luke Skywalker is one of the most beloved characters in the Star Wars film series.  He is my personal favorite.  I think that he has the most fascinating character arc in the Star Wars films, although some would argue that Darth Vader/Anakin Skywalker does.  Luke debuted in the original 1977 Star Wars film, but he appears as an infant in the “prequel trilogy” film, Star Wars: Episode III – Revenge of the Sith (also known as Star Wars: Revenge of the Sith).

Marvel Comics is currently publishing a new Star Wars maxi-series project that is comprised of three series:  Star Wars: Age of Republic, Star Wars: Age of Rebellion, and Star Wars: Age of Resistance.  This project will span 30 issues in total (reportedly), with each issue spotlighting one hero or villain from one of three particular Star Wars eras:  Republic (prequel trilogy), Rebellion (original trilogy), and Resistance (sequel trilogy).

Star Wars: Age of Rebellion – Luke Skywalker #1 is a new release in the Age of Rebellion series.  It is written by Greg Pak; drawn by Chris Sprouse, Scott Koblish, and Stefano Landini (pencils) and Karl Story and Marc Deering (inks); colored by Tamra Bonvillain, and lettered by Travis Lanham.  The story finds Luke Skywalker facing his first temptation from the Sith.

Star Wars: Age of Rebellion – Luke Skywalker #1 (“Fight or Flight”) opens in the galaxy's Outer Rim at the Imperial Refining Platform M36.  The Imperial Support Vessel 49AX3 approaches the refinery, but it is actually under Rebel control.  One of the rebels involved in this mission is Luke Skywalker.  Although the rebels are able to secure desperately needed fuel from the Imperial facility, the ease of the operation makes one rebel major uncomfortable, especially because of Skywalker.  Meanwhile, Luke begins to have concerns of his own, unaware of a dark influence from far away.

The few “Age of” Star Wars comic books that I have read have been average, good, and really good.  Star Wars: Age of Rebellion – Luke Skywalker #1 is really good.  Its central theme of trust is one that would seem to be an obvious one for Star Wars comic books, but has rarely come up in Star Wars comic books that I have read.  Here, Greg Pak expertly uses it in this tale of an important rebel mission and of an important moment in the development of Luke Skywalker's personality and in his journey from farm boy to Jedi Knight.

Although there are three artists illustrating this issue, the art looks consistent.  When an “Age of” book has to have more than one artist or art team, it seems that editor Mark Paniccia manages to find artists whose work has at least a passing resemblance to one another.

Colorist Tamra Bonvillain and letterer Travis Lanham have been providing excellent work in their respective roles on these AOR titles.  They don't disappoint here.  I am also not at all disappointed in Star Wars: Age of Rebellion – Luke Skywalker #1.  I am even surprised at how much I like it.  Perhaps, I like Luke Skywalker so much that am appreciative (maybe even overly-appreciative?) of any even remotely good story starring Luke, my first Star Wars hero.

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

----------------------

Review: STAR WARS: Age of Rebellion - Han Solo #1

STAR WARS: AGE OF REBELLION – HAN SOLO No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Greg Pak
PENCILS: Chris Sprouse
INKS: Karl Story
COLORS: Tamra Bonvillain
LETTERS: VC's Travis Lanham
EDITOR: Mark Paniccia
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Terry Dodson with Rachel Dodson
VARIANT COVER ARTISTS: Gerald Parel; Mike McKone with Guru-eFX; Yasmine Putri; Ralph McQuarrie (Concept Design Variant Artist)
28pp, Color, $3.99 U.S. (July 2019)

Rated T

“Running from the Rebellion”

Han Solo is one of the most beloved characters in the Star Wars film series.  Han Solo was the first ally farm boy, Luke Skywalker, and former Jedi Knight, Ben Kenobi, gathered as Luke answered the call to adventure in the original 1977 Star Wars film (also known as Star Wars: Episode IV – A New Hope or simply, Star Wars: A New Hope).

Marvel Comics is currently publishing a new Star Wars maxi-series project that comprises three series:  Star Wars: Age of Republic, Star Wars: Age of Rebellion, and Star Wars: Age of Resistance.  This project will span 30 issues in total (reportedly), with each issue spotlighting one hero or villain from one of three particular Star Wars eras:  Republic (prequel trilogy), Rebellion (original trilogy), and Resistance (sequel trilogy).  [The project is abbreviated as “Star Wars AOR.”]

Star Wars: Age of Rebellion – Han Solo #1 is a recent release in the Age of Rebellion series.  It is written by Greg Pak; drawn by Chris Sprouse (pencils) and Karl Story (inks); colored by Tamra Bonvillain, and lettered by Travis Lanham.  “Running from the Rebellion” is set not long (apparently) after the events depicted in A New Hope.

Star Wars: Age of Rebellion – Han Solo #1 (“Running from the Rebellion”) finds Han Solo and his Wookie friend, companion, and copilot, Chewbacca, counting the 17,000 in Imperial credits they have received as a payoff from the promise made to them by the “late” Ben Kenobi.  Now, Han has plans.  He is ready to move back to his life as a smuggler, which includes paying the crime lord Jabba the Hutt the money that he owes them.  Thus, Han is a bit perturbed when Luke Skywalker asks for one last favor, and Han gets pulled into a rebel mission that might wreck all his plans.

First, I have to say that I think that Star Wars: Age of Rebellion – Han Sol #1 is, thus far, my favorite of the four comic books in the “AOR” line that I have read.  If I understand correctly, Marvel Comics' Star Wars comic books, as of 2015, are official Star Wars canon.  So this delightful story, “Running from the Rebellion,” explains how Han Solo became a member of the Rebel Alliance.  Or it at least explains why he is still stuck with the rebels at the beginning of The Empire Strikes Back (1980).

Greg Pak's script for this comic book is well written, and Pak can be hit or miss.  Unlike the recent AOR Princess Leia comic book, the art team of Chris Sprouse and Karl Story draws the entirety of “Running from the Rebellion,” and an entire issue of Chris Sprouse's pencils is always a good thing.  Tamra Bonvillain's gorgeous colors are perfect for a Star Wars comic book, especially for a Chris Sprouse-Karl Story drawn Star Wars comic book.  And, of course, I see you, Travis Lanham, with your always high-quality lettering.  It's all good.

I hope more AOR comics are like Star Wars: Age of Rebellion – Han Solo #1.

8.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

---------------------------

Review: RISE OF THE BLACK PANTHER #1

RISE OF THE BLACK PANTHER No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Evan Narcisse with Ta-Nehisi Coates (consultant)
ART: Paul Renaud
COLORS: Stephane Paitreau
LETTERS: VC's Joe Sabino
COVER: Brian Stelfreeze
VARIANT COVERS: Paul Renaud; Chris Sprouse and Karl Story with Laura Martin; Tyler Kirkham with Arif Prianto
28pp, Color, $3.99 U.S. (March 2018)

Black Panther created by Stan Lee and Jack Kirby

Rated “T”

“The King at the End of Everything”

Black Panther is a Marvel Comics superhero created by writer Stan Lee and artist Jack Kirby.  He first appeared in Fantastic Four #52 (cover dated: July 1966).  Black Panther is T'Challa, the king and protector of the (fictional) African nation of Wakanda.  Black Panther was also the first Black superhero is mainstream American comic books.

As we approach the release date of the highly-anticipated theatrical Black Panther film from Disney/Marvel Studios, we will see more Black Panther-related comic books from Marvel Comics.  One of them is the new miniseries,  Rise of the Black Panther.  It is written by Evan Narcisse with Ta-Nehisi Coates, the writer of the ongoing Black Panther comic book, acting as consultant.  Paul Renaud is the artist.  Stēphane Paitreau is the colorist, and Joe Sabino is the letterer.

Rise of the Black Panther #1 (“The King at the End of Everything”) is narrated first by Queen N'Yami, the wife of King T'Chaka and the mother of T'Challa, and then by Queen Ramonda, the second wife of T'Chaka and second mother to T'Challa.  The story opens with during World War II where a famous American hero strikes a bargain and friendship with Azzuri, the Panther King of Wakanda and the father of T'Chaka and grandfather of T'Challa.

Azzuri is determined to keep the existence and the whereabouts of his kingdom, Wakanda, a secret.  Because of its wealth, technology, and especially because of its greatest natural resource, outsiders and outside entities with continue to search for the legendary kingdom – including some of the most evil people on Earth.

One of the things that Rise of the Black Panther has going for it is that Brian Stelfreeze is the series cover artist.  Stelfreeze was the opening series artist on Ta-Nehisi Coates' Black Panther series and is responsible for most of that series' conceptual and graphic design.  Stelfreeze provides a striking painted cover for the Rise of the Black Panther #1, and, far as I can tell, also for the second issue.

Evan Narcisse gathers many of the elements from previous Black Panther comic books and brings them together to form a gripping, suspenseful, and thrilling tale of the history of the Black Panther.  It starts during WWII, the dawn of the American superhero, and also the point in time when Wakanda begins its inevitable track to joining the world.  Narcisse gives the story the feel of a “lost world” story that is part Arthur Conan Doyle and part Golden Age comic book.  If the rest of this series is like the first issue, it will be a thoroughly readable and enjoyable.

The series artist is rising star Paul Renaud, whose art was excellent in the shockingly good Generations: Sam Wilson Captain America & Steve Rogers Captain America #1.  Renaud's storytelling is quite good here, but his stylish art is a revelation.  Renaud and colorist Stēphane Paitreau create a rich tapestry of graphical storytelling that recalls narrative paintings.  Rich in detail, backgrounds, sets, and environment, Renaud's art is fitting for a tale of kings and kings' sons.  Joe Sabino's lettering strikes the perfect tone and and enhances the story.

I was not sure of what I should expect of Rise of the Black Panther #1, but after reading this excellent first issue, I expect a lot of the rest of it.

8.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

-----------------------

Review: GENERATIONS: Miles Morales Spider-Man & Peter Parker Spider-Man #1

GENERATIONS: MILES MORALES SPIDER-MAN & PETER PARKER SPIDER-MAN No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Brian Michael Bendis
ART: Ramon Perez
COLORS: Msassyk
LETTERS: VC's Cory Petit
COVER: Ramón Pérez with Msassyk
VARIANT COVERS: Chris Sprouse and Karl Story with Justin Ponsor; Olivier Coipel with Laura Martin
36pp, Color, $4.99 U.S. (November 2017)

Rated T+

Spider-Man created by Stan Lee and Steve Ditko; Miles Morales created by Brian Michael Bendis and Sara Pichelli

“The Spiders”

Generations is an event limited comic book series from Marvel Comics.  It is a planned 10-issue anthology comic, published weekly.  Each issue is written and drawn by a different creative team, and each issue will feature a different team-up of a classic Marvel superhero with his or her modern-day counterpart.  The series is meant to unite the legacy of classic Marvel Comics characters with the next generation of heroes as both move into the future of Marvel Comics storytelling.

The ninth issue (at least by my count) is Generations: Miles Morales Spider-Man & Peter Parker Spider-Man, which brings together two versions of the classic Marvel Comics character, Spider-Man.  The first is the original Spider-Man, Peter Parker, the Amazing Spider-Man, who first appeared in Amazing Fantasy #15 (cover date: August 1962).  The second was once known as the Ultimate Spider-Man; he is Miles Morales who first appeared in Ultimate Fallout #4 (cover dated: August 2011), and who now lives in the Marvel Universe as simply Spider-Man.  This issue of Generations is written by Brian Michael Bendis; drawn by Ramón Pérez; colored by Msassyk; and lettered by Cory Petit.

Generations: Miles Morales Spider-Man & Peter Parker Spider-Man #1 (“The Spiders”) opens with Miles Morales who discovers that he went from where he was to somewhere else.  But where?  He is in the stall of a public restroom, but this isn't just any public restroom.  It's the men's restroom at the college where Peter Parker, the Amazing Spider-Man, is an incoming freshman.

This version of Peter Parker does not know Miles Morales, and Parker is about to face one of the most difficult battles of his life, as his precious Aunt May lies near death.  So Miles asks himself, “Why am I here, now, to witness this time in Peter's life.”

Of late, artist Ramón Pérez is the go-to-guy when Marvel wants to replicate and recall the early Steve Ditko Spider-Man comic books.  Pérez offers his most impressionistic take on Ditko's Spider-Man yet.  I think that this is appropriate as Generations: Miles Morales Spider-Man & Peter Parker Spider-Man #1 is supposed to have a dream-like quality, making it less about plot and setting and more about what is discovered in the story.

Bendis makes this tale Miles' story and the point is that Miles is supposed to learn something from Peter Parker.  What he learns is surprising, and I have to give Bendis credit because initially I did not see a reason for this story; Miles and Peter have team-up quite a bit in the recent past.  So Generations: Miles Morales Spider-Man & Peter Parker Spider-Man #1 is redundant... except, don't call this a team-up.  True insight can be gained!  I won't call this one of the better Generations entries, but it is a novel approach to bringing familiar characters together.

B+
7 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

--------------------------------

I Reads You Review: ROCKETEER ADVENTURES VOL. 2 #3

ROCKETEER ADVENTURES VOL. 2 #3
IDW PUBLISHING

WRITERS: David Lapham, Kyle Baker, Matt Wagner
ARTISTS: Chris Sprouse, Kyle Baker, Eric Canete
INKS: Karl Story
COLORS: Jordie Bellaire, Eric Canete and Cassandra Poulson
LETTERS: Shawn Lee, Kyle Baker
PIN-UP: Eric Powell with Dave Stewart
EDITOR: Scott Dunbier
COVERS: Darwyn Cooke (A, C), Dave Stevens (B)
28pp, Color, $3.50 U.S.

The Rocketeer is a comic book character created by artist and illustrator, Dave Stevens, who died in March of 2008. The Rocketeer is Cliff Secord, a stunt pilot who discovers a mysterious jet pack that allows him to fly, and his adventures are set mainly in Los Angeles in and after the year 1938.

The Rocketeer returned to comic books in 2011 in Rocketeer Adventures. Edited by Scott Dunbier and published by IDW Publishing, this four-issue, anthology comic book was a tribute to Stevens and featured Rocketeer short stories (about 8 pages in length) from some of the premiere creators in American comic books. The tributes continue in Rocketeer Adventures Vol. 2.

Rocketeer Adventures Vol. 2 #3 opens with “Coulda Been…,” a story by David Lapham with art by Chris Sprouse and Karl Story, that finds Cliff Second and his girlfriend, Betty Page, imagining what their lives could be like. In “Butch Saves Betty,” the brilliant cartoonist Kyle Baker introduces Cliff and company to a shadowy client. Then, writer Matt Wagner and artist Eric Canete take readers to the future for a “History Lesson.”

David Lapham is a popular comic book creator, but I wonder if people really appreciate what a good writer he is. I see him as a comic book scribe who can always put an imaginative twist on the character/ensemble drama. Read 30 Days of Night: 30 Days ‘Til Death; it could have been just another vampire comic book, but isn’t. His “Coulda Been…” shows why making comic book characters “grow up,” especially those grounded in fantasy, is a mistake. The reason is that when you make characters act like real-world adults that fundamentally changes those characters, sometimes to the point in which they become different from what they were originally. Another good thing about this story is that the artist is the talented and under-utilized Chris Sprouse.

There is nothing special about the other two stories, other than that Kyle Baker draws one of them. What is special is the pin-up by Eric Powell (with colors by Dave Stewart). I could stare at a Powell drawing for an hour and not consider that a waste of time.

B

Review: BUFFY THE VAMPIRE SLAYER SEASON 9 #6

"Nikki the Vampire Slayer"
BUFFY THE VAMPIRE SLAYER SEASON 9 #6
DARK HORSE COMICS

WRITER: Andrew Chambliss
PENCILS: Georges Jeanty
INKS: Karl Story
COLORS: Michelle Madsen
LETTERS: Richard Starkings and Comicraft’s Jimmy Betancourt
ALTERNATE COVER: Georges Jeanty with Dexter Vines and Michelle Madsen (Cover A by Phil Noto)
28pp, Color, $2.99 U.S.

Buffy the Vampire Slayer Season 8 is a comic book series that debuted in 2007 and ended in 2011. Produced by the creator of the Buffy the Vampire Slayer television series, Joss Whedon, the comic book expanded on the events of the TV show’s last televised season, which was Season 7. Buffy the Vampire Slayer Season 9 is a sequel to Season 8, and both series are canonical, meaning that the events in these comic book series are part of the television series’ universe and continuity.

Buffy the Vampire Slayer Season 9 #6 (“On Your Own” Part One) opens in New York City in 1973, where it finds the Pam Grier-like slayer, Nikki, and her Watcher, Crowley, dealing with vampires. Nikki, however, has an even bigger problem that may actually be more complicated than dealing with slaying vampires.

Back in the present, Spike stands in for Buffy. The bleached-blond vampire assists San Francisco Police Department Detective Dowling in dealing with zompires, and also gives the cop some information on vampires, in general. Meanwhile, Buffy’s own personal problems lead her to Nikki’s son, Robin Wood, and a momentous decision.

I think that it’s been about five years since I’ve read a Buffy comic book, although I did read an issue of Angel & Faith last year (which I liked). I doubt that this ninth issue of Buffy the Vampire Slayer Season 9 will create many new Buffy fans (if any), but I think Buffy fans will likely enjoy it.

This story isn’t necessarily about slaying, although there is some slaying. On Your Own is a story of mother and child, and it is a bit surprising, even poignant. It shows the dramatic side of Buffy, and the character drama is what makes Buffy the Vampire Slayer like no other vampire thing.

B+