Showing posts with label Yishan Li. Show all posts
Showing posts with label Yishan Li. Show all posts

Monday, December 3, 2012

Review: UGLIES: Cutters

UGLIES: CUTTERS
BALLANTINE BOOKS/DEL REY – @delreyspectra

CREATOR: Scott Westerfeld
WRITERS: Scott Westerfeld, Devin Grayson
ART: Steven Cummings
TONES/LETTERS: Yishan Li
COVER: Steven Cummings with Espen Grundetjern
ISBN: 978-0-345-52723-3; paperback (December 4, 2012)
176pp, B&W, $10.99 U.S., $12.99 CAN

Scott Westerfeld is an American science fiction author who has written several book series aimed at the young adult market (YA). The Uglies is a series of young adult, science fiction/fantasy novels written by Westerfeld. The series, which began in 2005 with the publication of Uglies, is set 300 years in the future in a time in which everyone is turned “pretty” by extreme cosmetic surgery. The Uglies’ central character is Tally Youngblood, a teen girl who rebels against this forced conformity.

Uglies: Cutters is the second of two original graphic novels that are set in the world of the Uglies and tell new stories through the eyes of Tally’s friend, Shay, another teen girl. Like the first graphic novel (Uglies: Shay’s Story), Uglies: Cutters is scripted by Devin Grayson from a story by Scott Westerfeld and is drawn by artist Steven Cummings.

Uglies: Cutters apparently takes place after the second prose novel in the series, Pretties (2005). The series’ lead character, Tally Youngblood, and her best friend, Shay, have undergone “the Surge,” which is the rite-of-passage surgery that transforms them from “Ugly” to “Pretty.” Shay now lives in New Pretty Town enjoying the good life, and she is hoping to be inducted into Tally’s clique, the “Crims” (short for “criminal”).

Shay, however, is troubled by her new life as a stunning beauty. She is plagued by bad dreams and is somewhat distressed that she cannot remember much about her time in “The Smoke,” a wilderness camp where runaways live. She also has noticed that both Tally and Zane, a boy Shay likes, are always together and have been acting strangely. Suddenly, distrustful of her friend, Shay starts to gather a rebellious group of her own, the “Cutters.” But Shay is fighting on three fronts: against Tally, the mysterious Special Circumstances, and Dr. Cable, and this fight will be tougher than she realizes.

Like Shay’s Story, Uglies: Cutters deals with adolescent themes of emotional and physical change, but Cutters is more about the aftermath of such changes. Cutters also emphasizes the conflict within social groups, depicting rivalries and jealousies. Cutters is about suspicious minds, and Shay’s mind is full of suspicions, and, in a way, that makes her something akin to an unreliable narrator. For instance, is she creating a love triangle (involving herself, Tally, and Zane) where none exists? The fun is that you never know how much truth there is to her inklings.

Early in Cutters, the authors focus in on the shallowness of Pretty life, so much so that the story turns as shallow as party-happy Pretty. Gradually, however, the narrative comes together, and Cutters reveals itself to be something more than just science fiction-fantasy. It is also a mystery story, with the lead characters trying to unravel a conspiracy and uncover secrets, all the while going through some mean teen angst. Uglies: Cutters starts off badly, but gets better as the story goes along. It ends with a bang, maybe even leaving you wanting more.

B

www.delreybooks.com
Reviewed by Leroy Douresseaux


Thursday, February 23, 2012

Leroy Douresseaux Reviews: UGLIES: Shay's Story

UGLIES: SHAY’S STORY
BALLANTINE BOOKS/DEL REY

CREATOR: Scott Westerfeld
WRITERS: Scott Westerfeld, Devin Grayson
ART: Steven Cummings
TONES/LETTERS: Yishan Li
ISBN: 978-0-345-52722-6; paperback
208pp, B&W, $10.99 U.S., $12.99 CAN

Scott Westerfeld is an American science fiction author who has written several book series aimed at the young adult market (YA). One of them is the Uglies series, a quartet of science fiction and fantasy novels that began in 2005 with the publication of Uglies (Simon Pulse). The Uglies is set 300 years in the future in a time in which everyone is turned “pretty” by extreme cosmetic surgery. The Uglies’ central character is Tally Youngblood, a teen girl who rebels against this forced conformity.

Uglies: Shay’s Story is the first of two original graphic novels set in the world of the Uglies and tells new stories through the eyes of Tally’s friend, Shay, another teen girl. Uglies: Shay’s Story is scripted by Devin Grayson from a story by Scott Westerfeld and is drawn by artist Steven Cummings.

As Uglies: Shay’s Story begins, Shay is a few months shy of her sixteenth birthday, the age at which one undergoes “the Surge,” which is the rite-of-passage surgery that will transform her into a “Pretty.” Currently, she is an “Ugly,” an ordinary human who has not had the surgery. Shay befriends “the Crims” (criminals), a group of fellow teens who say they don’t want to have the surgery. She joins the Crims: Zane, Croy, Astrix, and Ho by exploring past the monitored borders and going into the forbidden, ungoverned wild. This journey makes her think about her future. Shay must decide the path she will choose: become a Pretty or remain one of the Uglies.

Like the source material (the Uglies novels, of course), Uglies: Shay’s Story deals with adolescent themes of emotional and physical change. What really drives Shay’s Story is conflict. The central conflict is a personal one: preservation of one’s personal will versus the longing to conform. The other line of conflicts pits a dystopian society’s need for uniformity against the Uglies’ rebellious urges.

The conflicts play out in the most interesting ways because the players are teenagers about to enter adulthood, but who are also about to enter a world of choice and responsibility. Is becoming a “Pretty” about evolution and accepting adulthood? Are the teens who runaway just afraid to grow up? Uglies: Shay’s Story is a pop concept tailor-made for Hollywood, but the narrative plays out as a coming-of-age story that wants to be more complicated than the latest hot thing. It’s exciting and edgy, like our teenage years.

B+